美学

So this paper tries to expound the history of the Chinese ancient theatrical costume on the basis of analyzing its materials in the round. And systematically analyzes its characteristics by the methods of semeiology and aesthetics.

因此，本文试图在全面整理中国古代戏剧服饰资料的基础上勾勒出中国古代戏剧服饰的演变历史，并利用符号学、美学等学科方法系统探讨中国古代戏剧服饰的美学特征等问题。

Buddhism made it possible for the Tang people to seek a peachful and sequester artistic conception.

佛教使唐代文人追求清幽静谧的美学意境，并在唐诗语言上表现出不粘不脱、亦虚亦实的美学品格。

My aesthetic is that of the sniper on the roof.

我的美学就是趴在房顶上的狙击手的美学。

Essentially, because it does overstep character which is caused by chasseing the eternal value, it is a solecism when we make a mask by making a list of theologist thinking according the time sequence.

就其实质而言，神学美学因为其对永恒一个超越性的价值尺度的追求，所以具有现代美学所难以比拟的超越性，这种超越性根本上是超历史形态而不是超越作为整体的生活现实的。

The dissertation, in the perspective of somatics and hermeneutics which establish the bases of Wang Chuanshan's thoughts, surveys the vital foundation of Wang Chuanshan's philosophy, discodes the meaning-generating process.

本文立足于身体观和诠释学这两个对于船山生命哲学和学术实践关联极深的视点，透视船山美学的生命基础，探究船山美学的意义发生问题。

This study was first published in Journal of Beijing United University (additional edition 2001) with the title of Announcement of Soundscape.

首先，从"趣味哲学"——美学的角度，对听的感受进行了探索，为声景研究奠定了美学基础。

The nature of beauty is either subjective or objective or the unity of the subject and the object in the subject-object mode.

在主客二分思维模式下，美学研究只有三个内容，一是对象研究：美的形态学；二是主体研究：审美心理学；三是主客关系研究：审美价值学，这也就是门罗说的美学的三个学科。

This is what happens when the unique aesthetics of Dutch painting enters the world of contemporary aesthetics.

这是发生在荷兰绘画的独特美学进入当代美学的世界。

This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

Against this background, uncanniness with special connotation emerged in the field of aesthetics.

在我们看来，这是一个颇有特色的美学范畴，也是一个重要的美学范畴。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。