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Aesthetic ideas during the booming time of Italian Renaissance are represented by Leonardo da Vinci, Michelangelo Bounaroti and Raffaello Sanzo, who have shown great personalities in their artistic creation, thoughtful inspiration and wisdom triggered by their idea clashes, and whose creative achievements and aesthetics have laid the foundation for the modern artistic forms in Europe.

16世纪是意大利文艺复兴的盛期,这一时期的标志性艺术是绘画、雕塑和建筑,而艺术方面的美学思想的代表则是达·芬奇、米开朗基罗和拉斐尔。他们的美学思想都是从实践经验中总结出来的,具有很强的实证性和科学性。这三个巨人都是个人主义,他们各自在艺术创造上都表现出极强

The article is based on the consumptive culture and aesthetic theory. It studies the literature and art since the 1990s and analyses the literary aesthetic characteristics in the domain of consumptive culture.The aesthetic rationality of daily taste mode, lure randan style and style in patch-up...

论文以消费主义文化及其美学特征为学理依托,以中国90年代以来的文学艺术为研究对象,分析在消费主义文化语境中的文艺审美特征——日常审美方式,欲望狂欢风格,时尚拼贴文本的"美学合理性",及其人性诉求的弱化,文明价值底线的失守,艺术审美自律的缺失的"功能悖论"。

After I referred tos correlative books which write about the progress of the environmental scenes design, and summarized correlative theories, such as the design concepts of chinese classical garden,the Garden-aesthetics,the Forest-esthetics,the forest culture theory,the Landscape-designs studying, the Landscape Ecology,the Environmental capacity studying etc…On this base,I brought forward some related principle and notion in the construction technology and research some main items should pay attention to in the construction technology about Forest Home environmental scene.

在参考当前相关领域的研究进展并在结合中国古典园林设计理论、园林美学、森林美学、森林文化理论、景观设计学、环境容量学等相关理论的基础上,提出了森林人家环境景观营建的原则和指导思想,总结出森林人家环境景观营建需注意的主要事项。

While affirming the biological rightfulness of body pleasure, legitimizing the part of body in aesthetics, and defending the aesthetic value of popular art, somaesthetics offers a possibility for a humanitarian aesthetics that is more concerned with our body.

另外,他积极肯定快感的生物学意义和身体在审美中的合法性地位,同时为通俗艺术提供美学辩护,指向了一种更具伦理关怀的人道主义美学的可能。

The first is practicability: we must work hard to form our own ethic-aesthetic in every daily affair. The second is openness: there is enough and necessary act space instead of rigid rules to comply with.

福柯的伦理学—美学给我们的启示是:实践性:在每一桩微小的生活事务中,我们必须靠自己的艰苦劳作来书写自己的伦理学—美学,塑造"为我"的存在;开放性:它没有提供固定可依的规则章程,而是给每个人留有充足而必要的行动空间。

It is no coincidence that Chow's rise to fame synchronizes with the boom of the net culture of China.

本文从跨艺术的角度,探讨艺术媒介的转换在《大话西游》的接受中的美学、文化和政治意义,以视觉性的理论来挖掘"变形"这个概念的历史文化和美学意义,以及与媒介转换之间的关联。

Chapter 2 "Organic Theory: Theoretic Establishment About Aesthetic Utopia" studies the contention about poetry and science among the British romanticist, inquires into the sharp opposites between poetry and scientific reason in the time of British modernization. In this opposites , The British Romanist has established aesthetic theory with the centric of organic theory instead of mechanical theory.

第二部分"有机论:审美乌托邦(来源:091909ABC论文网www.abclunwen.com)的理论构建"主要从英国浪漫主义诗人中爆发的诗与科学的争论开始,探讨英国现代化初期诗与科学理性之间的尖锐对立,在这种对立和融合中,英国浪漫主义诗人构建起了以有机论为核心的美学理论,以此来取代机械论的美学体系。

Also, to intentionally roughen and casualize image style in this movie, as the aesthetic experiments of indie-films, the author tries to create a new thread of thought.

并且提出本片在影像风格上,刻意粗糙与随意的另类实验美学,企图从中建立一个新的思考脉络与美学风格。

His foresight and sagacity still have profound significance today.

他的美学思想是中国近代美学的第一块理论基石。

Accepting the aesthetic thought of Kant and Schiller, and Heidegger\'s artistic truth view, Marcuse points out in sensibility and morals, i.e. during people\'s the two poles present," the aesthetic dimension " is occupying the status of centre, as the soul ability of person practicing, imagine strength having function mediated and liberated to perception and reason; Aesthetic form, self-containment and truth are identical, art not merely has a function of ideology, have political latent energy criticized , denied even more, it strives for the individual\'s freedom and happiness; Aestheticsis the people\'s life style, therefore has proposed the theory of "not constraining life style", it make up one\'s mind bad smell look at latitude of "remember" emphatically really.

接受康德和席勒的美学思想,以及海德格尔的艺术真理观,马尔库塞指出在感性和道德性,即人的存在的两极之间,"审美之维"占据着中心地位,作为实践的人的心灵能力,想像力对感性和理性有着调和与解放的功能;审美的形式、自律和真理是一致的,艺术不仅具有意识形态的功能,更具有批判、否定的政治潜能,它争取个体的自由与幸福;美学是人的生存方式,"非压抑性生存方式"理论的确立意味着重视"回忆"的纬度。

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