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His minimalist artistic approach has formed a very distinct theatre style. In 2001, he published Analysis and Reflections on the Theories of Acting of Meyerhold in Chinese and Life and Death Trilogy: a Theatrical Research in both Chinese and English. In 2004, The International Association of Theatre Critics published a special study on him: The Art of Synthesis: The Theatre World of Tang Shu-wing.

他的简约风格在本港剧坛独树一炽。2001年他出版了戏剧美学专著《梅耶荷德表演理论:研究及反思》及《生与死三部曲之剧场探索》。2004年2月,国际演艺评论家协会出版了《合成美学:邓树荣的剧场世界》,进一步探讨其创作理念。

Wang Guowei ; aesthetical thought ; terms of aesthetics ; modernness ; utility nature

王国维;美学思想;美学术语;现代性;"功利性"

Therefore,the substance of Munro's aesthetics is a neo- naturalisminstead of t

这样,门罗的美学不仅没有走向他自己所期望的科学的美学,反而堕入了一种新式的自然主义。

This paper can make us understand the music aesthetics of form-autonomy embodied in Poetique Musicale more deeply through analyzing the social reality 、 philosophy and aesthetics, etc, in the times of Stravinsky.

文章通过对斯特拉文斯基所处时代的社会现实、哲学和美学思想等方面的剖析,可以使我们更加深刻理解和认识《音乐诗学》中所体现的形式-自律论的音乐美学

His third concept of silence not only established the theoretical ground for discoursing on the aesthetics of silent cinematography, but also settled a milestone for the later development of discussion on cinematic mutism, which the characters in the film keep mum all the way.

尤其,巴氏第三个沉默概念,不仅奠立了讨论沉默影音美学的理论基础,更是为后来的「缄默」影音美学(即影片中由始至终都不说话的人物)埋下了探讨的重要基石。

Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics.

没有什么是美的,只有人。在这一点上产生所有的美学。它是美学的第一定律。

It likes as follows: firstly, WANG Guo-wei's Jing-Jie theory is virtually originated from Nietzschean tragedy theory and Schopenhauerian intuition theory; and it completely bases upon western philosophies and aesthetics, and practices and extends them.

其具体体现主要有两点:一,王国维的境界理论从实质上来讲更多地来源于尼采的悲剧理论和叔本华的直观理论;二,王国维的境界理论完全立足在西方哲学、美学的基础之上,是西方哲学、美学思想的一种具体运用与展开。

Artistic conception, as the noumenon of art aesthetics, is an important category of Chinese classical aesthetics.

摘要意境是中国古典美学中最为核心的美学范畴,是艺术美的本体。

Then beauty is the objector of human essence and essential force.

"美是人的本质的对象化"这个命题曾经是后实践美学及其他一切质疑实践美学的驳洁对象。

It nut only transcends the oppositeness of subjectivity and objectivity , but also the oppositeness of ideological aesthetics and physical aesthetics .

审美乌托邦建立在存在本体论基础上,它超越了主体性与客体性的对立,也超越了意识美学和身体美学的对立。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。

There is no differences of cell proliferation vitality between labeled and unlabeled NSCs.

双标记神经干细胞的增殖、分化活力与未标记神经干细胞相比无改变。