美学

Professor XIE Jia-Xing is the Professor and the Director of Music Research Institute of China Conservatory, with a Master Degree in Composing Theory (1988) and a PH.D. of Music Aesthetic (2004). He is also the leading figure in music education discipline in China Conservatory, the associate director of the Education Committee of the Chinese Musicians Association , the president of the Music Education Commission of CMA, the director of the Music Education Academic Committee of CEC, the director of the Music Aesthetic Committee of CMA, the director of the Music Psychology Society, the director of Chinese Association of Music Communication, the member of International Society of Music Education, Committeeman of CPCEMM(COMMISSION ON MUSIC IN CULTURAL, EDUCATIONAL, AND MASS MEDIA POLICIES) of ISME, the adviser of APSMER. He is the part-time professor of Xian Conservatory, the part-time professor of Tianjin Conservatory, the specially hired professor of Art Institute of Henan University and the member of Exterior Examination Committee Member of the Education Institute of Hong kong.

谢嘉幸，中国音乐学院音乐研究所所长、教授、学院学术委员会委员， 1988 年毕业於中国音乐学院作曲系，获作曲理论硕士学位； 2004 年在中央音乐学院获音乐美学方向博士学位；中国音乐家协会教育委员会主任助理；中国音乐家协会音乐教育学学会会长；中国教育学会音乐教育专业委员会理事、音乐教育学学术委员会主任；中国音乐家协会音乐美学学会理事；中国音乐家协会音乐心理学学会理事；中国音乐家协会音乐传播学会理事；北京音乐家协会理事；国际音乐教育学会会员、文化教育与大众传媒政策委员会委员；亚太音乐教育研究会顾问；亚太艺术教育学报编委；国家教委教育科学"八五""九五"规划重点课题负责人；西安音乐学院兼职教授，天津音乐学院兼职教授，河南大学艺术学院特聘教授，香港教育学院院外考试委员。

Is also the dean of art institute, the pluralism member of philosophy subject assessment group of degree committee in the state department, the director committeeman of philosophy subject teaching guide committee of altitude schools of the education department, the vice president of Chinese Esthetics

同时兼任国务院学位委员会哲学学科评议组成员，教育部高等学校哲学学科教学指导委员会主任委员，中华美学学会副会长兼高校美学研究会会长，北京市哲学会会长，全国政协常委。

He believed the root of body concinnity lies in the concinnity of spirit, which may be helpful and instructive when dealing with the problem of present tendency of overfocusing on the carnal nature in body aesthetics.

黑格尔视精神性为身体美的根本特征的身体美学观，对我们今天的身体美学更多地关注肉体情欲的倾向，具有重要的启示和省思意义。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Therefore, this will centralize the literatural texses in studying. Actually, it cannot shake off the dilemma because this is decided by constructionism characters.

事实上，结构主义美学不可能摆脱主体性的束缚，这是由结构主义美学自身的特点所决定的。

However, it can be concluded after further understanding of the creation and signif-cance of the acceptance esthetics that acceptance esthetics does not only give attention to the readers but also regards the reading activity as the procedure of the realization of life, and the reading activity activates a text from deadness and let it manifest an indirect dialogue of the subject.

然而，深一步认识接受美学的创新与意义可以得出：接受美学并非滞于对读者的重视，更将阅读活动视为一个生命实现的过程，阅读活动将文本从僵死激活，呈现为主体间性对话。

Of aesthetics and the definiteness of its content and leads to its immaturity and decline .

它的不确定，直接影响美学学科定位乃至研究内容的确定，导致美学学科的不成熟和衰微。

Deleuze's aesthetics of sensation is an aesthetics of materialism based on affect and sensation.

论文提要：德勒兹的感觉美学是一种基于感受和感觉的唯物主义美学。

This dissertation, based on social psychology, literature psychology, and depth psychology, and combined with aesthetics of psychology, literature humanics, focuses on explaining the causes of the creation of William Faulkner's fiction, its implied meaning and its inner mechanism in the sense of psychology, on discussing the mode of creation in the sense of aesthetics and on opening out the secret of his highly successful creation, so that a new point of view can be adopted to better understand Faulkner and his fiction.

本文从社会心理学、文学心理学和精神分析学入手，结合心理美学、文学人类学和文艺发生学，对福克纳小说创作的发生、其隐含形式和内在机制进行心理上的跟踪，对其创作模式进行美学上的探讨，对其作品取得巨大成功的堂奥进行文化上的揭示，从而为更好地理解福克纳、更准确地解读其文本提供一个新的视角和参照。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。