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So we can stand beauty on the solid base of reality. And it supplies a bridge over the gap between aesthetics in China and aesthetics in the West.

这样就把审美活动奠定在坚实的现实基础上,也为弥合中国美学与西方美学的巨大分歧提供了一条新的思路。

Extensive and profound Chinese cu lture breed and perfect but original Chinese aesthstic theory, the calligraphist has used these to accumulate , fully show their peculiar aesthetic consciousnes s in the artistic expression of the calligraphy, have formed the unique artistic style of calligraphies .

博大精深的中国文化孕育了完善而独到的中国美学理论,书法家运用了这些蕴含辩证思想的美学原理,在书法艺术表现中充分地展示出他们特有的审美意识,形成了书法独特的艺术风格。

The granitic geomorphologic landscape in Mt. Chaya aesthetics value is very high and it embodies as follows: the beautiful, unique, grand, perilous and illusion.

嵖岈山花岗岩地貌景观美学观赏价值极高,嵖岈山花岗岩地貌景观的美学观赏价值体现在:美、奇、雄、险、幻。

We improve theory teaching quality by reforming complic chiasm pedagogy;we improve clinical operate ability by enhancing experiment and practice;we improve aesthetics making by aesthetics teaching .

美容牙科学在我国是一门新兴学科,为了提高教学质量,山西大同大学医学院美容牙科教研室根据美容牙科科学性、技术性以及审美性等特点进行了改革—通过改良合并交叉教学法提高理论教学质量,通过加强实验实训和实习提高临床动手能力,通过美学教育提高美学素质,为培养知识面广、专业技能好、素质过硬的合格的美容科医师奠定坚实的基础。

Every kind of chirography formed its unique aesthetic imagery,and so called "iron-hard picture and flying characters","silkworm head and swallow tail,as square as framed","beautiful as a silver hook and elegant as a disturbed phoenix",and "not Cao,not Zhen,yet flexible" are respectively the unique aesthetic imagery symbols of Zhuan,Li,Cao and Xing.

书体意象是历史发展和审美追求相互作用的结果,每一种书体都形成了自身特有的美学意象,所谓"画如铁石,字若飞动"、"蚕头燕尾、规矩有则"、"婉若银钩,漂若惊鸾"、"非草非真,发挥柔翰",即篆、隶、草、行特有的美学意象符号。

Nowdays, on one side, modernity is becoming an important aesthetics principle of the playwright who wants to express the thought of reality as well as explaining the history. On the other side, It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.

现今,当代性一方面成为历史剧创作者的一个重要的美学原则―剧作家在对历史的阐述中表达对现实的思考;另一方面也成为观众对历史剧欣赏的一个重要的美学标准―观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。

Indian classicalism esthetics is a mature configuration of Indian esthetics thought .

印度古典主义美学是印度美学思想的成熟形态。

The author has initiated that ecological culture concepts should be integrated in a deeper level in hillside architectural design originality, both should reflect hillside green architectural morphology art expression characteristic based on the narrow strategies, as well as realize the integration of morphological esthetics and the ecological esthetics to manifest the combining of hillside architecture and hillside environment, and should realize the conformity with the humanities ecology based on the generalized strategies originated from local environment, to reflect the regional difference and nationality's particularity , and to manifest the harmony aesthetic value close connected between hillside architecture and the regional social environment, the cultural environment so as to realize hillside architectural significance finally.

作者倡导坡地建筑设计创意中的生态文化理念需在更深层次上进行整合,既要基于狭义的缘地策略反映坡地绿色建筑形态艺术表达的特性、以及实现形态美学和生态美学的整合,体现出坡地建筑与自然环境的合二为一,又要基于广义的缘地策略实现与人文生态的整合,反映地域的差异性和民族的特殊性,体现出坡地建筑与地域的社会环境、文化环境密切关联的和谐美,以最终实现坡地建筑的意义。

Through the deep-going investigation and superficial analysis to the grotesque phenomenon in some literature works of the world,the paper expounds that grotesqueness is an unfixed notion with consistent changes and provides an initial summary and analysis on the characteristics of aesthetic judgment on grotcsqueness,including the formation principles of abnormality,astonishment mixed with fear and comicality,and the duality of grotesqueness.

曾耀农(1959-),男,汉族,湖南师范大学文学院教授、博士,主要研究方向文艺学和美学;湖南师范大学文学院中文系,湖南长沙 410081肖莉(1980-),女,汉族,湖南师范大学文学院学生,主要研究方向文艺学和美学。湖南师范大学文学院中文系,湖南长沙 410081本文通过对中外文学艺术作品中的怪诞现象的探源和浅析,认为怪诞是一个流变的概念。

He pointed that we need "cognitive mapping" which was based on some spatial conceptions, it was a new aesthetics which could commentate the political responsibilities of art and culture.

他还进一步指出,在后现代语境下,文化艺术的政治使命的发掘依赖于全新的美学阐释,即以空间概念为基础的"认知绘图"美学

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