美声的

"Anybody that knows me knows that I have a very, very bipolar personality, so one minute I'm excited and the next minute I'm crying and the next minute I'm cussing and yelling and the next minute I'm singing Enya," she said to FADER writer Julianne Escobedo,"And the point is, my rap style now reflects my true personality."

"任何了解我的人都知道我拥有一种很躁郁的个性，所以第一分钟我很H但是下一分钟我就会哭泣而再下一分钟我就会骂人会喊叫而下一分钟我就会唱美声Enya的歌。"她对fader的撰稿人 Julianne Escobedo说道，"但是重要的是，我说唱的风格现在影响了我整个的个性。"

First, based on the research of vocality art and vocalization, I discuss how to set up reasonable aesthetics concept on tenor"s voice, then expatiate on the characteristics,of the tenor"s voice in bel canto and the theoretic significance of setting up reasonable sound aesthetics concept. This essay is mainly on the way and key point of constructing tenor" s voice, especially solving the core problem of alt skill. The essay argues that the construction of tenor" s voice is based on the mediant and undertone sections; finding the phonate source, practice step by step, surrounding the point , string and side of the voice; train the students using suitable vowels according to the students with different characteristics ; emphasizing that ten essential words are the golden key to solution of the core problem in the "closing " method.

首先从研究声乐艺术和发声方法的指导思想和出发点着手，探讨了如何建立科学的男高音声音审美观；进而阐述了美声唱法中男高音的声音特点及建立科学审美观的理论指导意义；本文着重提出了构建男高音声音的方法与要领(特别是解决高音技术这一核心问题)，本文认为男高音声音构建先以中、低声区为基础，从找发声点开始，围绕声音的点、线、面逐一训练，同时根据不同特点的学生选择合适的母音进行训练，强调了"关闭"唱法中十字要领是解决核心难点的金钥匙。

Today some of the most frequently performed operas, such as Rossini's The Barber of Seville and Donizetti's Lucia di Lammermoor , are from the bel canto era.

今天的一些最常见的演出剧目，如罗西尼的塞维利亚的理发师和多尼采蒂的露契亚拉美莫尔，是从美声唱法的时代。

First, based on the research of vocality art and vocalization, I discuss how to set up reasonable aesthetics concept on tenor"s voice, then expatiate on the characteristics,of the tenor"s voice in bel canto and the theoretic significance of setting up reasonable sound aesthetics concept. This essay is mainly on the way and key point of constructing tenor" s voice, especially solving the core problem of alt skill. The essay argues that the construction of tenor" s voice is based on the mediant and undertone sections; finding the phonate source, practice step by step, surrounding the point , string and side of the voice; train the students using suitable vowels according to the students with different characteristics ; emphasizing that ten essential words are the golden key to solution of the core problem in the "closing " method.

首先从研究声乐艺术和发声方法的指导思想和出发点着手，探讨了如何建立科学的男高音声音审美观；进而阐述了美声唱法中男高音的声音特点及建立科学审美观的理论指导意义；本文着重提出了构建男高音声音的方法与要领(特别是解决高音技术这一核心问题)，本文认为男高音声音构建先以中、低声区为基础，从找发声点开始，围绕声音的点、线、面逐一训练，同时根据不同特点的学生选择合适的母音进行训练，强调了&关闭&唱法中十字要领是解决核心难点的金钥匙。

This article propose the viewpoint of expanding the civil art, around the theories line of civil art to keep it selfs style and special features, and to absorb bravely, draws lessons from the theory of beautiful voice and singing method.

全文本着大力倡导和弘扬民族民间艺术的理念和观点，围绕民间艺术既要保持自己风格和特色，又要大胆吸收、借鉴美声唱法的理论和原理，参考其他剧种的演唱经验，为我所用的理论基线。

Different from the main characteristics of other singing styles from the bel canto --Mix sounds of district characteristic this set out, appear "broken sound","true and false sound transition obvious to learner too" question in the course of singing, use relevant theories to change one sound of problems to carry on the discussion and put forward the method and way solved, help fans further understanding of the masses of vocal musics and solve this kind of problem met while singing.

从美声区别于其他唱法的最主要的特点——混合声区这1特点出发，针对学习者在歌唱过程中出现&破音&、&真假声过渡太明显&等问题，运用相关理论对换声问题进行探讨并提出解决的方法和途径，帮助广大声乐爱好者更进1步的了解并解决歌唱中遇到的此类问题。

Different from the main characteristics of other singing styles from the bel canto --Mix sounds of district characteristic this set out, appear "broken sound","true and false sound transition obvious to learner too" question in the course of singing, use relevant theories to change one sound of problems to carry on the discussion and put forward the method and way solved, help fans further understanding of the masses of vocal musics and solve this kind of problem met while singing.

从美声区别于其他唱法的最主要的特点——混合声区这一特点出发，针对学习者在歌唱过程中出现&破音&、&真假声过渡太明显&等问题，运用相关理论对换声问题进行探讨并提出解决的方法和途径，帮助广大声乐爱好者更进一步的了解并解决歌唱中遇到的此类问题。

At west until 1900, thou"Vocals with" of the song be popularof sing a method, have no basically of differentiation, although sing on stage opera to want than sing on stage light opera and pop song demand more plentiful and full voice and higherly sing technique.

在西方直到1900年，古曲的&美声和&通俗的的歌唱方法，并没有根本上的区别，虽然演唱歌剧要比演唱轻歌剧和流行歌曲需要更为丰满的声音和更高的歌唱技巧。

That is not to say that there was a uniform opinion among all voice teachers during this time, but that there were developments in thought and practice within vocal pedagogy that have become associated with bel canto singing.

这并不是说，有一个统一的意见在所有教师的声音在这段时间，但有发展的思考与实践的声乐教学已经成为与美声唱法演唱。

It has already been more than one hundred years since the introduction of bel canto.

美声唱法传入中国已经一百多年了，遗憾的是人们对歌唱中的声门状态并没有引起足够的认识，造成了声乐教学中说法多样，概念含混的复杂局面，大大影响了我国声乐教学的进程。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。