美国黑人的

Blackmon, a precise and eloquent work that examines a deliberate system of racial suppression and that rescues a multitude of atrocities from virtual obscurity.

Blackmon所著《奴隶制的另一个名称：美国黑人从内战到二战的二次奴役》，此书准确且有说服力的阐述了美国废除奴隶制后黑人持续遭受的不被重视的歧视现象。

More and more Afro-Americans see him as a tricky enemy who has no more love for them than he has for the Congolese.

越来越多的美国黑人熟悉到他是个诡计多端的敌人。他仇视美国黑人，正像他仇视刚果人民一样。

Among them was a black man, whose ancestors were slaves in this land, whose parents had to sit in the back of the buses and dine in the "colored-only" restaurants, who was born in an America still segregated, who despite all the odds became the proudest of humanity's sons.

他们之中有一个黑人：他的祖先在这大地上曾是奴隶；他的父母乘坐公共汽车时，曾被挤在车后仅供黑人的座位上，吃饭时，只能去仅供黑人的食堂；他自己，生在一个种族隔离的美国。

Through thedepiction of Milkman, the representative of middle-class black young men, Morrison showsincisively modern black Americans'bitterness, oscillation, confusion and ignorance derivedfrom their rootlessness underneath the mainstream congesting with the racial discriminationand segregation.

莫里森通过对于"奶人"这个处于中产阶级的黑人年轻一代的典型成长过程的描写，一方面，集中展示了当前仍然充斥着种族歧视与种族隔离意识的美国白人主流文化下的美国黑人遭受的痛苦、彷徨、混乱以及无知的状态。

Amid the revolutionary fervour of the 1960s, says Mr McWhorter, many blacks learned that "America's racism rendered it unworthy of any self-regarding black person's embrace and that therefore blacks were exempt from mainstream standards of conduct."

麦克沃特说，在60年代革命激情中许多黑人认识到，"美国种族主义对任何尊重自我的黑人的投入不屑一顾，因此把黑人排斥在主流社会的衡量标准之外"。

Strive for the right conducting self for the destiny breaking away from a slave before long,Aframerican has carried out fighting with being distressed and lofty , has exactly been to contend since generation after generation advances wave upon wave, the right that black talented person has had to be able to share the USA dream, makes Aobama's being elected become possibility just now.

曾几何时，为了摆脱奴隶的命运、争取做人的权利，美国黑人进行了艰苦卓绝的斗争，正是由于世世代代前赴后继的抗争，黑人才有了能够分享美国梦的权利，才使奥巴马的当选成为可能。

Baker, an Afro-American literary criticist, is a significant mark for the generational shift and transformation of Afro- American literary criticism.

非裔美国黑人文学批评家休斯顿·A·贝克的布鲁斯本土理论是美国黑人文学批评的换代与转型的重要标志。

Through thedepiction of Milkman, the representative of middle-class black young men, Morrison showsincisively modern black Americans'bitterness, oscillation, confusion and ignorance derivedfrom their rootlessness underneath the mainstream congesting with the racial discriminationand segregation.

莫里森通过对于&奶人&这个处于中产阶级的黑人年轻一代的典型成长过程的描写，一方面，集中展示了当前仍然充斥着种族歧视与种族隔离意识的美国白人主流文化下的美国黑人遭受的痛苦、彷徨、混乱以及无知的状态。

But when it is performed among African- Americans, especially members of the working class, the blues is a social ritual: a ceremonial oral and dancing music whose recurring performance preserves the shared wisdom of the ethnic and racial group. It dramatizes the will not only to endure bad times but also to overcome them.

但是，当它在黑人当中演出时，特别是在劳苦大众中演出时，布鲁斯就成为了一种社会性仪式：一种用歌声和肢体舞蹈音乐构成的仪式，它的反复表演将美国黑人这个种族共有的智慧保留了下来，它戏剧性地表现了黑人对黑暗时代的忍受力，也表现了战胜黑暗时代的意志。

Possibly no other black American is so widely loathed by his own."Uncle Thomas is a traitor", read the placards that greet him when he speaks. Al Sharpton has picketed his home.

可能没有一名美国黑人像托马斯这样普遍遭到黑人同胞的厌弃，以致他出去演讲时，&欢迎&他的标语牌上骂道：&托马斯大叔是个叛徒&⒍·夏普顿(Al Sharpton—黑人运动领袖人物)曾在他家附近举标语牌抗议。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。