美国的

"We've had a wonderful response," said Kulkarni, with clients coming from two main areas. One is American health-care consultants, who often need lots of numbers crunched and PowerPoint presentations drawn up. The other, he said, are American investment banks and financial services companies, which often need to prepare glossy pamphlets with graphs to illustrate the benefits of an IPO or a proposed merger.

&我们的反映很好，& Kulkarni 说，客户主要来自两块，一块是美国保健顾问，他们经常需要大量的数据分析和 PowerPoint 演示制作；另一块，他说，是美国的投资银行和财经服务社，他们经常需要制作小册子来图示一个首发股和一次并购的好处。

To begin with, the enormous success of this popularized Nietzscheanism forces us to wonder what needs it gratified and whether the unsullied American mind was really so well-ordered—to ask, that is, why this Continental victory occurred.

首先，大众化的尼采主义在美国的巨大成功使我们不得不疑惑它到底满足了什么需求，而过去那被玷污前的美国精神是否真的那么稳定有序，也就是要问：欧陆哲学是怎么会取胜的？

But as the crisis in the US is a very long-term one, it is apparent that banks need to deleverage and recapitalize, even if they were not directly exposed to US debt and if they were using prudent levels of leverage.

但是美国的危机是非常长期的，很明显这些银行需要减低负债经营，重新开始调整资本结构，就算他们并没有直接受到美国债务影响，或者就算他们采用的是谨慎的负债经营比例。

The Iranians will also likely retaliate by attacking Israel's cities with ballistic missiles (possibly topped with chemical or biological warheads); by prodding its local clients, Hezbollah and Hamas, to unleash their own armories against Israel; and by activating international Muslim terrorist networks against Israeli and Jewish - and possibly American - targets worldwide (though the Iranians may at the last moment be wary of provoking American military involvement).

伊朗人也将有可能进行报复，以导道飞弹攻击以色列的城市（可能加上化学或生物武器的弹头）；或由其&代理人&，如真主党和哈马斯，对付以色列，并通过激活国际穆斯林恐怖网络对付以色列和犹太人-可能包括美国-世界各地的目标（虽然伊朗人可能在最后时刻不希望挑衅美国的军事介入）。

While anime shows were brought to the US as early as the 1960s, such as Astro Boy, Speed Racer, and Kimba the White Lion, most were heavily bowdlerized for American audiences, with violence, deaths of major characters, sexual references, etc., completely edited out for what was assumed to be an audience of young children.

六十年代最初引入美国的日本动画片（Anime特指日本动画，它是一种不同于迪士尼的风格），诸如《铁臂阿童木》、Speed Racer（这部国内没引进过，但在日美都很流行，台湾播出时译为《马赫GO！GO！GO！》）、《森林大帝》（Kimba the White Lion，又译为《小白狮》）等，大部分都经过了为美国观众所做的大幅度删改，暴力、死亡和性都被完全删除以面向假定的年幼观众。

At the same time, China's growing wealth helps finance America's spending spree, which in turn sucks up a lot of the stuff China churns out.

同时，中国日益增长的财富有助于为美国的大笔开支提供融资，而美国的开支反过来又吸收了大量中国生产的产品。

But as the US continues to be dependent on foreign financing of its deficit, and sees the limits of its influence as China "cozies up" to countries like Iran, Zimbabwe, and Venezuela, he says,"it s going to get tougher."

但是当美国的赤字继续的依靠外国提供资金，当中国与伊朗、津巴布韦和委内瑞拉攀交情的时候，美国意识到自己影响力的有限，他说，&将会变得更加紧张。&

It＇s a little dicier to say this about our growing involvement with Vietnam, since all those Americans whose names are on that wall on the Mall probably didn＇t realize how compatible with global American enterprise Vietnamese communism would turn out to be or how the cause of democracy would turn out to have been of no real importance at all.

既然美国在越战中的亡灵可能产生疑问：美国的全球企业和越南共产主义者怎么能那么和谐？他们为之奋斗的民主事业真的就那么一文不值？从这一点考虑，与越南交往可能要冒更大的风险。

In this article the author analysis and studies in details the learning,cases and system of civil indemnities related to insider trading in America.

作者以美国的证券内幕交易民事赔偿为例，对美国的内幕交易民事赔偿的学说、判例和制度作了较详尽的剖析、研究。

This man, whose clay was so plastic that he could live in any number of pigeonholes of human existence, she thought wilful and most obstinate because she could not shape him to live in her pigeonhole, which was the only one she knew.

有一次两人讨论普拉卜斯和万德瓦特时，他告诉她，我承认他们是出人头他的权威，他们的话受到引用--是美国两个最前列的文学批评家。美国的每一个教师都仰望万德瓦特，把他看做批评界的领袖。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。