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美国电影工业

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Firstly, reviews the American blockbuster development the history, analyzes it from the theory and the practice to have the development inevitability, and elaborates the achievements of the American blockbuster from the cultural, artistic and commercial dimensions, and then reveals its external manifestations as an important cultural industry in the United States. Secondly, discusses choicely and emphases the successful elements of the American blockbuster: the operational ideas, marketing strategies and industry chain model, the three-parts binds into the indivisible entirety, which shows the internal motivation of its continuing development. Thirdly, analyzes our country movie's development present situation, and elaborates its exist deficiency, and inspects and analyzes the question which existed in the practice development, which will provide the theory and the practice foundation for as follows. Finally, combines the analysis and understanding of the American blockbuster in theory and the current development situation of the domestic film, it puts forward several noteworthy viewpoints about the future development of China's film industry.

首先,以考察的眼光回顾美国大片发展的历史,从理论和实践上分析其发生发展的必然性,并分别从文化、艺术、商业三个维度阐述了它所取得的成就,揭示了它作为美国重要文化工业的外部表现形态;然后,有选择有重点的论述美国大片具有的成功元素:制作中的运作理念、发行中的营销策略及其产业链模式,这三者联结成一个不可分割的整体,透析出美国大片得以不断发展的内在动因;接下来,分析了我国电影的发展现状,阐述了其存在的不足之处,考察和分析了在实践发展中存在的问题,为下文提供了理论和实践基础;最后,通过对美国大片在理论上的探析与把握,结合当下国内电影发展状况,提出了我国电影产业在未来的发展中值得注意的几点看法。

America is the place in which the road culture originated. It also symbolizes the modernistic implications of Road Movies. The novel On the Road brought about fashion of being against the mainstream norms and the film Easy Rider in the sixties resulted in the spirits of Hippie. All the classic texts of Road Movies seem to be at the important points of the American history. Furthermore, sub-types of Road Movies are developed owing to different economic factors, ideologies and values. With the advancement of Hollywood film industry, Road Movies exist with various topics as well as appearances.

美国是公路文化的发源地,也象徵公路电影的现代性意涵,回溯由小说《在路上》引领的叛逆风潮和60年代公路片《逍遥骑士》的嬉皮精神,公路电影的重要文本皆发生在美国历史上的重要时刻,并因为不同的经济因素、意识型态和价值信念产生不同的发展概况,伴随好莱坞电影工业的演进,公路电影呈现更多元的主题与风貌。

But film studio distribution, without limiting the scope of the long corner in Hollywood, Hollywood and its surrounding the city of Burbank, and other common film industry in the United States constitute the central region.

不过电影制片厂分布的范围早已不局限在好莱坞一隅,好莱坞与其周边的伯班克等市共同构成了美国影视工业的中心地区。不过一般来说好莱坞电影基本上可以代表美国的电影。

From 1950 through 1960, the theatre hosted the American motion picture industry's annual

从1950到1960年间,此剧院承办了美国电影工业的年度

Although Gibson claimed that The Passion of the Christ was faithful to the gospels and the gospels were faithful to history, there were still plenty of historical problems and non-biblical material, such as the stations of the cross, passion play and mysticism of the Middle Ages, seamlessly woven into the film narrative.

此外,本文也将论析围绕在本片制作、发行与映演过程中,所产生的宗教社群、基督教派与商业行销延伸争议,说明现今美国电影工业生态与保守社会气氛如何渲染本片当中的反犹争议。

The film industry hoodwinks filmgoers and television viewers with the American Humane Association's misleading "No animals were harmed" seal of approval.

电影工业用&美国仁爱协会&的认可&没有动物收到伤害&来欺骗电影迷和电视观众。

Films will cover subjects like an American defector to North Korea, Nigeria's film industry, a Japanese election campaign, and anti-corporate pranksters.

影片题材很多是难得一见的,例如投奔北韩的美国叛兵、奈及利亚的电影工业、日本的选举造势、还有攻击大企业文化的恶搞兵团等等。

Worn with pain, and weak from the prolonged hardships which I had undergone, I was removed, with a great train of wounded sufferers, to the base hospital at Peshawar. Here I rallied, and had already improved so far as to be able to walk about the wards, and even to bask a little upon the veranda,when I was struck down by enteric fever, that curse of our In-dian possessions.

玛米切尔(1900—1949)出生于美国佐治亚州亚特兰大,她以整整十年的时间写成此书,亚州亚特兰大是南北战争中南方联盟的铁路供应和工业基地,因此作家的这本书在著写时就显得得心应手,仪态从容,《飘》问世于1936年,1937年获普利策奖,根据小说拍摄的电影《乱世佳人》获1946年奥斯卡奖,已经成为一部家喻户晓的传世之作。

推荐网络例句

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。

There is no differences of cell proliferation vitality between labeled and unlabeled NSCs.

双标记神经干细胞的增殖、分化活力与未标记神经干细胞相比无改变。