羊皮外套

Cavalli's signature animal prints were confined to a leopard coat and a giraffe pattern (faintly stamped on a suede jacket), as well as to the backstage VIP area. And the Florentine artisanal treatments that are another signature were present in the way that leather and suede were subtly tooled (one skin had a striking brocade effect). A suede duffel lined in astrakhan and a closing coat of lustrous monkey fur evoked the willful, rockin' excess of alt-Cavalli (which is, face it, how the world learned to love him).

放眼望去整场秀，我们一直看到重复搭配的西服套装/套头毛衣/衬衫和领带、合腰身的剪裁以及锐利平整的肩线，直至快结束时，Roberto Cavalli招牌的动物图纹皮草单品才华丽豋场：如美洲豹、长颈鹿花纹的麂皮大衣（当然据说在后台VIP室也是布置满满动物花纹）；而佛罗伦斯老牌工匠们织造手法的精湛，更不著痕迹表现在那些温暖厚实的大外套上：像是麂皮外套内里的稀有阿拉斯加卷毛羊皮、牛皮夹克上金线织花的细腻图样、以及经过特殊处理闪烁光泽的猴子毛短外套。

For the grand finale, Galliano's psychedelic globetrotters sported sheepskin trenches, quilted patchwork coats, silk kimonos, massive fur boots, and a variety of asymmetric, distressed suedes and leathers.

为总决赛，加里亚诺的迷幻全球的sported羊皮堑壕，修修补补，绗缝外套，丝绸和服，庞大的毛皮靴子，和各种各样的不对称，痛心suedes和皮革。

He put on his plush cap and his corduroy jacket with a sheepskin collar, and went out.

他把他的毛绒帽，他的羊皮衣领灯芯绒外套，走了出去。

He has bought a short sheepskin coat, in which he evidently thinks he looks like a Hungarian shepherd, but horn-rimmed glasses and a rather loud pair of plus-fours destroy this effect.

他买了一件短羊皮外套，穿上它他明显感到自己像一个匈牙利牧羊人，但他的角质眼镜和灯笼裤完全破坏了这种感觉。

Then he looked at the remains of the bundle, a long-sleeved gray tunic that seemed to be made of sheepskin.

他又看了看包裹里，还剩下一件似乎是羊皮制的灰色长袖外套。

Shearling came in all shapes and styles for fall, from the snappy vests at Daks and Akris to 3.1 Phillip Lim's cold-beating coat, a sixties-style topper he whipped up in the material he defines as "rough, yet soft."

从Daks和Akris的时髦内衣到Phillip Lim的cold-beating外套以及六十年代的大礼帽，羊皮大衣以其多种造型和款式在秋季来临之季对"粗犷而又柔顺"进行了定义。

A suede blouson was laser-cut in tiny slashes to open it up. So was a navy blazer.

小山羊皮外套采用激光剪裁，运动夹克也一样。

Shearling came in all shapes and styles for fall, from the snappy vests at Daks and Akris to 3.1 Phillip Lim's cold-beating coat, a sixties-style topper he whipped up in the material he defines as "rough, yet soft."

从Daks和Akris的时髦内衣到Phillip Lim的cold-beating外套以及六十年代的大礼帽，羊皮大衣以其多种造型和款式在秋季来临之季对&粗犷而又柔顺&进行了定义。

My clothes used to arrive twice a year, in white boxes from London; they were sensible and they never varied. In summer I wore sea island cotton undershirts and, in winter, woolen ones with sleeves. I wore long socks or woolen stockings in winter, and short cotton socks in summer. I had three kinds of shoes: stout brown lace-ups, stout brown sandals, and flat pumps, made of bronze kid, which were reserved for parties, although I went to very few parties. In summer I wore cotton frocks and cardigans Jenna Knitted; in winter I wore gray flannel pleated skirts and gray flannel jackets. I had a succession of Harris tweed overcoats with velveteen collars, all of which were identical; a succession of identical pudding basin hats that clipped under the chin with elastic. I hated the scratchy winter vests, but apart from that, I never thought about my clothes a great deal, except when I went to visit my great-aunt Maud in London.

俺滴衣服每年两次，用白色盒子的盒子装着，从伦敦送达；我可以预见他们是怎么样的，他们从来没有改变过夏天，我穿海岛棉汗衫，冬天则是有袖的羊毛衫我在冬季穿长袜子或羊毛袜，夏天穿短棉袜我有三种鞋：褐色系带短帮鞋，啡色凉鞋和派对上穿的啡色小山羊皮平底舞鞋，虽然我很少参加派对夏天，我穿着棉上衣和珍娜织的开衫；冬天，我穿灰色法兰绒打褶短裙和灰色法兰绒外套我有系列的Harris斜纹软呢大衣，他们的衣领都是仿天鹅绒的，所有的这些都是完成一样的；一致的布丁一样圆圆胖胖，下巴位置下面有弹性的帽子我讨厌那种令人觉得发痒的冬季背心，但除此之外，我从来没有想过我的衣服着装是一件多么了不起的大事，除了当我去拜访在伦敦的莫德姑婆

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。