罪恶

The deep going change of historical and cultural environment in the nineties has led to the disparity about writing pattern of life consciousness and the transformation of theme state, so has brought about the transformation of humanity writing. The new historism novels have begun writing many kinds of life form in made-up historical space, and have deducted complicated humanity sceneries, which include violence, evil, misery, degradation, etc; The private novels have paid attention to experience of female life itself, and has displayed particular life pattern of women; The new state novels have manifested revelry and anxiety of the 搉ew? human beings in metropolis, displaying objectified existing state; Novels in the realism shock have regarded heroes as ordinary people, revealing awkward life state.

九十车代历史文化语境的深刻变化导致了生命意识书写方式的差异和主题形态的嬗变，从而带来了人性书写的改观：新历史主义小说在虚构的历史空间中展开对多样生命形式的书写，演绎出暴力、罪恶、苦难、沉沦相交织的人性景观；私小说则关注女性生命本体的体验，展现了女性特有生命姿态；新状态小说注重表现都市新人类的生命狂欢与焦灼，展示了物化的生存状态；现实主义冲击波小说则完成了改革英雄到普通人的转换，揭示了尴尬的生命形态。

Then both the setting and the theme of the novel have rich religious symbolic meanings,which are fully demonstrated in the controversial theme of good versus evil through the biblical and Miltonic symbolisms.

其次，作品的背景以及主题的反映都具有浓厚的宗教象征意义，具体反映在把对&罪恶&的看法和圣经及弥尔顿作品的象征手法联系起来。

Because,not be people " person pork is searched ", however as a result of " person pork is searched " later a chain of " Babylon "--, exposure privacy, wanton and abuse, insult character, absurd is added calumniatory, undertake to actual residence even mobbish... and all these is early the bottom line that had exceeded justice.

不是因为人们&人肉搜索&了，而是由于&人肉搜索&之后一连串的&罪恶&———曝光隐私，肆意辱骂，侮辱人格，妄加诽谤，甚至到现实住所进行滋扰……而这一切早已经超出了正义的底线。

On the one hand, he reveals the existential realities of post-industrial society, such as disasters, diseases, crimes, death, and their derivative tribulations, misgivings, and psychical struggles, etc.; on the other hand, he sticks to exploration and act as of humanism and idealism, taking poetry as the form of poetic concern to express perseveringly his solicitude, philanthropism, commiseration for or of life status, as well as spiritual salvage and promotion, so as to uplift and upgrade the spiritual realm of human beings.

一方面，他更多地揭示了后工业社会的生存真相，譬如灾难、疾病、罪恶、死亡，以及由此派生的苦难、焦虑和灵魂的挣扎等等；另一方面，他坚持人道主义和理想主义的探索与担当，把诗歌作为诗意关怀的形式，执著地传达了对生命状态的关切、博爱、悲悯以及灵魂的救赎与超拔，并以此引领和提升人类的精神境界。

Not only were they to maintain order, prevent crime, and protect life and property, but historically they were also to fight fires, suppress vice, assist in health services, supervise elections, direct traffic, inspect buildings, and locate truants and runaways.

他们不仅维持秩序、防止犯罪、保护生命财产，而且在过去还要救火、*罪恶、协助医疗服务、监督选举、指挥交通、检查建筑物、寻找逃学学生和搜捕逃犯。

If Jesus is thine all-prevailing King, and hath trodden thine enemies beneath his feet; if sin, death, and hell are all vanquished by him, and thou art represented in him, by no possibility canst thou be destroyed.

罪恶、死亡和地狱皆被祂击败了，而祂又作了你的代表，因此没有何物能将你毁灭。

Like vast clouds of steam from thermal springs in winter the years of things unsaid and now unsayable -- admissions, declarations, shames, guilts, fears -- rose around them.

就像是冬天里突然迸发的热气流，这么多年来他们之间从不曾说出口的感受，耻辱，罪恶，害怕……统统涌上心头。

An instance is provided by Aristotle's famous saying that the typical tragic hero is one who falls from high state or fame, not through vice or depravity, but by some great _hamartia_. _Hamartia_ means originally a 'bad shot' or 'error', but is currently used for 'offence' or 'sin'.

亚里斯多德的一句名言提供了一个例证：典型的悲剧英雄是这样的人，他从高尚生活或者名誉中跌落并非由于罪恶或者堕落，而是由于某种巨大的&hamartia&，&hamartia&的原意是&坏的尝试&或者&过失&，但现在用为&冒犯&或者&罪恶&。

In fact, I think it's fine to eat sinful foods, if you eat a small amount slowly. Think about it: you want to eat sinful foods (desserts, fried foods, pizza, etc.) because they taste good.

实际上，'罪恶'食物（一般指甜点，煎炸食品，批萨等[1]）要是指取小部分慢慢品尝的话，也是一个很享受的过程，理由很简单，它们本来就很好吃。

Rich,'sinful' desserts have sinis- ter names like Devil's Food Cake, Chocolate Mad- ness, or Death By Chocolate.

热量高、&罪恶&的甜点常有一些邪恶的名字，比如&魔鬼蛋糕&、&疯狂巧克力&或者&死神巧克力&。

The circulation, consumption and reproduction of the trilogy have not only testified to its historical significance and literariness, but also invested it with new meanings.

该三部曲的流通、消费与再生产不仅验证了其历史意义及文学性，而切还赋予它以新的意义。

If he thought that he could buy me off, he would be wrong.

如果他认为他可以收买我，那他就大错特错了。