罗里

He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.

亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。

Assuming Mulvey to be the first term of his series, Penrose, Bartell d'Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father Bernard Corrigan, a farmer at the Royal Dublin Society's Horse Show, Maggot O'Reilly, Matthew Dillon, Valentine Blake Dillon, Christopher Callinan, Lenehan, an Italian organgrinder, an unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon Dedalus, Andrew Burke, Joseph Cuffe, Wisdom Hely, Alderman John Hooper, Dr Francis Brady, Father Sebastian of Mount Argus, a bootblack at the General Post Office, Hugh E.

651假定马尔维是那一连串当中的头一个，接着是彭罗斯、巴特尔。达西、古德温教授、马斯添斯基、约翰、亨利。门顿、伯纳德。科里根神父、皇家都柏林协会马匹展示会上的那位农场主、马修。狄龙、瓦伦丁。布莱克。狄龙、克里斯托弗。卡里南、利内翰、某意大利轮擦提琴手、欢乐剧场里的那位素昧平生的绅士、本杰明。多拉德、西蒙。迪达勒斯、安德鲁。伯克、约瑟夫。卡夫、威兹德姆。希利、市政委员约翰。胡珀、弗朗西斯。布雷迪大夫、阿古斯山的塞巴斯蒂安神父、邮政总局的某擦鞋匠、休。E。

The economy of the whole Italic federation, whose territory now extended from Tuscany (through Piza-Pistoia-Fiesole-Rimini, but excluding the upper course of the Arno) to southern-most Calabria, was strengthened by the construction of the first important inland road, the Via Appia, running from Rome to Capua and Benevento (312-268 BC), as well as the development of the fleet and marine transport.

整个意大利同盟的领土从托斯卡纳区（通过披萨－披斯朵亚－费索里－里迷尼，但不包括亚罗河的上游）到南部卡拉布里亚区大部分。得益于从罗马到卡普阿和贝尼文托的第一条重要的内陆公路的建设以及舰队和船舶运输的发展，同盟的的经济得到加强。

American Pop was born in the 1960s, with the emergence of international masters like Andy Warhol, James Rosenquist and Roy Lichtenstein. Andy Warhol has had a tremendous influence on the development of Chinese art. Performance art emerged in the 1970s as well as Nam June Paik's video art and Christo and Jeanne-Claude's installation art. Sigmar Polke and Gerhard Richter were among the leaders of the Post Modern movement, which also flourished in the 1970s. Among them, Richter has had the most significant impact on Chinese art. New Expressionism emerged in the United States during the 1980s with artists such as Keith Haring, installation artist Ann Hamilton, and Cindy Sherman whose work is somewhat derived from New Expressionism.

进入50年代又出现了格林伯格画派、形式主义绘画，以及具象复活等等。50年代后期出现了新现实主义画派，以及为心灵而创作的博伊斯。60年代美国波普艺术诞生，出现了安迪·沃霍、罗森奎斯特、利希滕斯坦这样的世界级大师人物，其中安迪·沃霍对中国的影响最大。70年代出现身体艺术、行为艺术、白南准的电子艺术、克里斯托和珍妮—克劳德的包裹艺术，以及以波尔克、里希特、巴尔德萨利的后现代主义，其中里希特在中国影响巨大。80年代出现了美国新表现主义如基斯·哈林，装置如汉密尔顿，以及辛迪·舍曼的挪用。

The emir's father is Chrysoherpes, probably = Chrysocheir, leader of the Paulicians under Basil I.

埃米尔的父亲是克里索赫比斯，可能是克里索吉尔，在瓦西里一世领导下的保罗派领导人。

Then, taking "jealousness" for example, make a theoretical representation of major cultural features of surface novel—a future one advocated by him. Chapter three,"Susan Sontag: Against Interpretation and New Sensibility", specifically comments sontag\'s particular avant-garde ideas and determination against traditional culture by explaining throughly three aspects of the temperament of aestheticism, artistic eroticism and metaphor of illness.

第二章"罗伯—格里耶：抛弃关于深度的古老神话"从格里耶对"巴尔扎克式"传统小说观念的质询与批判入手，总结出格里耶反对阐释的艺术主张：瓦解故事，消解人物，削平深度，解构意义；并以其小说《嫉妒》为例，对其所倡导的未来小说——一种反对阐释的表面小说——的主要文化特征作出了理论表述。

The one-loss side of the bracket moved into the money round ($1,000 guaranteed) late on Friday night with key match-ups that included Reyes and Williams, Ulrich against Parica, Strickland versus Emmens, and Crosby squaring off against Jeremy Jones.

一个损失方面的括弧内搬进钱轮（ 1000元保证）晚于周五夜的关键比赛的UPS ，包括雷耶斯和威廉姆斯，乌尔里希对parica ，斯特里克兰银两emmens ，克罗斯比现蕾小康对杰里米琼斯。

Haven / Antwerp / to West; Valencia /its Asia / Adriatic; cadiz /, Palermo /¨ri,/ Livorno /, where¨// Baltimore East; Thessaloniki / Beirut,/ Alexandria / Limassol, Antalya,/ Trabzon /,/ racke Weng edge of the Black Sea; Constanza /, Varna /, Odessa /, Novorossiisk±, Poti / Burgas

哈芬/安特卫普/地西；瓦伦西亚/拉丝佩其亚/亚得里亚海；加的斯/、巴勒莫/里杰卡、/里窝那/、里杰卡/、普罗彻/巴尔地东；赛萨洛尼基/贝鲁特、/亚力山大、/利马索尔安塔利亚、/特拉布宗/沃格斯、/拉克力翁黑海；康斯坦萨/、瓦尔纳/、敖德萨/、诺沃西比尔斯科、波季/、布尔加斯

And to all the countries; and to Lampsacus, and to the Spartans, and to Delus, and Myndus, and Sicyon, and Caria, and Samus, and Pamphylia, and Lycia, and Alicarnassus, and Cos, and Side, and Aradus, and Rhodes, and Phaselis, and Gortyna, and Gnidus, and Cyprus, and Cyrene.

也写给各国，即散仆撒默、斯巴达人、德罗、明多、息基雍、加黎雅、撒摩、旁非里雅、里基雅、哈里加纳索、洛多、法色里、科斯、息德、阿辣多、哥尔提纳、克尼多、塞普勒斯、基勒乃等。

At that time he incorporated a few further refinements suggested by Rimsky-Korsakov, who, in his capacity as posthumous proofreader, also supplied the score's metronome markings, though these and Rimsky's tempo indications in the Andante may stem from the work's successful second performance, prepared by Rimsky-Korsakov under Borodin's supervision.

同时他还在里姆斯基—科萨科夫的建议下对作品进行了进一步的改良，而里姆斯基—科萨科夫作为遗嘱校对者也提供了总谱的节拍器标记，尽管这些标记以及里姆斯基在行板中的速度提示是源自作品成功的第二次演出，这次演出是里姆斯基在鲍罗丁的指导下完成的。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。