罗恩斯

He replaced General Ambrose Burnside, when Burnside suffered a terrible defeat at Fredericksburg, Virginia, at the end of eighteen sixty-two.

他取代了安布罗斯·伯恩赛德将军，那是在1862年伯恩赛德在维吉尼亚的弗雷德里克斯堡遭遇惨败时。

Patrick s purgatory , the salmon leap , maynooth college refectory , curley s hole , the three birthplaces of the first duke of wellington , the rock of cashel , the bog of allen , the henry street warehouse , fingal s cave - all these moving scenes are still there for us today rendered more beautiful still by the waters of sorrow which have passed over them and by the rich incrustations of time

二湖谷，基拉尼那些可爱的湖泊，克朗麦克诺伊斯487的废墟，康大寺院，衣纳格峡谷和十二山丘，爱尔兰之眼488 ，塔拉特的绿色丘陵，克罗阿帕特里克山489 ，阿瑟吉尼斯父子股份有限公司的酿酒厂，拉夫尼格湖畔，奥沃卡峡谷490 ，伊索德塔，玛帕斯方尖塔491 ，圣帕特里克邓恩爵士医院492 ，克利尔岬角，阿赫尔罗峡谷493 ，林奇城堡，苏格兰屋，拉夫林斯顿的拉思唐联合贫民习艺所494 ，图拉莫尔监狱，卡斯尔克尼尔瀑布， 495市镇树林约翰之子教堂496 ，莫纳斯特尔勃衣斯的十字架，朱里饭店，圣帕特里克的炼狱， 497鲑鱼飞跃，梅努斯学院饭厅，柯利洞穴， 498第一任威灵顿公爵的三个诞生地，卡舍尔岩石， 499艾伦沼泽，亨利街批发庄，芬戈尔洞500所有这一切动人的501情景今天依然为我们而存在。

The first actual fire jumps in the history of smokejumping were made by Rufus Robinson and Earl Cooley at Marten Creek in the Nez Perce National Forest on July 12, 1940, out of Ninemile, followed shortly by a two-man fire jump out of Winthrop.

历史上第一个真正意义上的空降消防员的跳伞是由卢夫斯罗宾逊和厄尔库里与1940年7月13日在奈兹国家森林公园的马特恩克里克进行的。而在尼恩迈尔和温斯洛普两地则立刻进行了两人空间消防跳伞。

I forget where I got it, but it was after Brian had sent a copy to Paul Placeway from Ohio State -- Paul had been the tcsh maintainer for many years, and Brian asked him to help with the line editing and redisplay code.

我忘记在什么地方得到它，但是在布赖恩送一个副本给俄亥俄州的保罗·普莱斯威之后得到的——保罗多年来一直是 tcsh 的维护人员，而且布赖恩要求他帮助编写行编辑和重新显示的代码。

I forget where I got it, but it was after Brian had sent a copy to Paul Placeway from Ohio State Paul had been the tcsh maintainer for many years, Brian asked him to help with the line editing redisplay code.

我忘记在什么地方得到它，但是在布赖恩送一个副本给俄亥俄州的保罗·普莱斯威之后得到的——保罗多年来一直是 tcsh的维护人员，而且布赖恩要求他帮助编写行编辑和重新显示的代码。

This week, Wien illustrated the knack of Soros for timing with an old story.

本周，韦恩讲了一则老故事，说明索罗斯时间抓得十分精准的诀窍。1995年，索罗斯问韦恩，为什麼他得每天去上班，何不等有事要做那几天去去就行了？

Now Rodriguez is operating as a producer on the project - which is, indeed, set on the Predator world - and Nimrod Antal is directing with a cast that includes Adrien Brody, Topher Grace, Danny Trejo, Laurence Fishburne, Walton Goggins and Alice Braga.

现在，罗德里格斯是作为生产者的经营项目-这确实是设置在捕食者世界-和尼姆罗德安塔尔与一个导演，包括演员阿德里安布罗迪，托弗尔格雷斯，丹尼特乔，劳伦斯菲什伯恩，沃尔顿格金斯和爱丽丝布拉加。

Jackson , Alexandra Daddario, Jake Abel, Rosario Dawson, Steve Coogan, Uma Thurman, Ca the rine Keener, Sean Bean and Pierce Brosnan.

该星作为名义上的珀西杰克逊一起的全体演员，其中包括布兰登杰克逊，亚历山德拉达达里奥，杰克阿贝尔，罗萨里奥道森，史蒂夫库根，乌玛瑟曼，罗根勒曼钙的德里纳基纳，肖恩比恩和皮尔斯布鲁斯南。

Defense lawyer Clarence Darrow and fundamentalist prosecutor William Jennings Bryan (of late- 1 8 0 0 s populism fame) provided the highlight of the trial when Darrow made Bryan look ridiculous on the witness stand.

辩护律师克拉伦斯达罗和原教旨主义检察官威廉詹宁斯布赖恩（晚8月1日0 0县民粹名利）提供了突出的审判时，达罗提出布赖恩成为笑柄在证人席上。

Rupert Grint's latest film Cherrybomb is definitely generating lots of buzz in Irish media. A few days ago we posted a snippet from an interview with Lisa Barros D'Sa, and today we have the entire Cherrybomb feature, courtesy of BBC Radio Ulster. The feature is a part of their Across The Line series, devoted to contemporary indie and underground dance music, presented by Rigsy and Paul Hamill. Their collaborator Keith Anderson talked to Cherrybomb directors Glenn Leyburn and Lisa Barros D'Sa about Rupert Grint and how he became involved with this project, but also about music used in the film, the Belfast setting and other things.

鲁珀特的新片《樱桃炸弹》毫无疑问引起了爱尔兰媒体的巨大关注，前两天我们曾经发布过一小段对该片导演之一丽莎巴罗斯德萨的采访片段，现在该次完整的采访已经由BBC广播电台阿尔斯特（爱尔兰一地区，分属爱尔兰和北爱尔兰）分部播出，这个采访是该电台的Across The Line 节目的一部分，这个节目致力于介绍时下的独立和地下舞曲音乐，由Rigsy和 Paul Hamill主持，他们的合作者Keith Anderson 与《樱桃炸弹》的两位导演格伦雷伯恩和丽莎巴罗斯德萨进行了谈论了鲁珀特格林特，以及他是如何参与到这部影片中来的，他们也谈到了影片中的音乐、用于拍摄的贝尔法斯特的各个场所以及其它一些事情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。