罗恩

After a rip-roaring start with Joe Wright's Atonement,the British have found themselves rather upstaged at theVenice film festival by two American pictures about Iraq from Brian De Palma and Paul Haggis .

第64届威尼斯电影节以乔·怀特的《赎罪》喧嚣揭幕后，英国人发现，他们在电影节上的风头都被来自美国的布莱恩·德·帕尔玛和保罗·哈吉斯的两部伊拉克题材影片抢去了。

Aftera rip-roaring start with Joe Wrights Atonement,the British have found themselves rather upstagedattheVenicefilm festival by two American pictures about Iraq from Brian De Palma and Paul Haggis.

第64届威尼斯电影节以乔·怀特的《赎罪》喧嚣揭幕后，英国人发现，他们在电影节上的风头都被来自美国的布莱恩·德·帕尔玛和保罗·哈吉斯的两部伊拉克题材影片抢去了。

Aftera rip-roaring start with Joe Wright's Atonement,the British HAs searched themselves ratIT upstagedattheVenicefilm festival by two American images about Iraq from Brian De Palma and Paul Haggis.

第64届威尼斯电影节以乔·怀特的《赎罪》喧嚣揭幕后，英chinese呈现，她们在电影节上的风头都被来自美国United States的布莱恩·德·帕尔玛和保罗·哈吉斯的两部伊拉克题材影片抢去了。

Aftera rip-roaring start with Joe Wright's Atonement,the British have found themselves rather upstagedattheVenicefilm festival by two American pictures about Iraq from Brian De Palma and Paul Haggis.

第64届威尼斯电影节以乔·怀特的《赎罪》喧嚣揭幕后，英国人发现，他们在电影节上的风头都被来自美国的布莱恩·德·帕尔玛和保罗·哈吉斯的两部伊拉克题材影片抢去了。

My hero was Bryan Robson and, as a massive United fan, it obviously means a lot.

我的英雄是不赖恩。罗伯森，并且，作为一个铁杆曼联球迷，这意味着很多。

Among Lee's most memorable performances are Rochefort in three Three Musketeers movies, Sherlock Holmes, classic James Bond villain Scaramanga in The Man with the Golden Gun (Lee's cousin, author Ian Fleming, created Bond), and, of course, nearly every classic monster in the book for Britain's hit Hammer horror films of the 1950s and '60s: his breakthrough role in The Curse of Frankenstein (he was the monster to Cushing's mad doctor); the title role in The Mummy; double duty as Jekyll and Hyde; and, most famously, his solitary yet deadly Count Dracula, whom he portrayed more than any other actor, beginning with 1958's Horror of Dracula, which pitted him against Cushing as Van Helsing, and lasting until 1974 with The Satanic Rites of Dracula.

在李最令人难忘的表演中，有电影《三剑客》中的罗切福特，夏洛克·福尔摩斯，经典的《金枪客》中詹姆斯·邦德的对头斯卡拉曼加（李的堂兄，作家伊恩·弗莱明创造了邦德），当然还有英国二十世纪50~60年代中几乎每一部经典恐怖片中都要出现的怪物：他在《弗兰肯斯坦的诅咒》中的突破性演出（他是库欣扮演的疯狂教授创造的怪物）；《木乃伊》中的木乃伊；双重性格的哲基尔和海德；还有那个最著名的，孤独而又致命的德库拉伯爵，他对这个角色的演绎次数远远超过其他任何演员，从1958年的《恐怖的德库拉》开始——在该片中他对抗库欣扮演的范·海尔欣，一直到1974年的《德库拉的恶魔典礼》。

But in reality both conceive the film, write the screenplay and direct, and edit under the joint pseudonym Roderick Jaynes.

但其实两人都构思电影、编剧并执导，以共用的假名罗德里克E杰恩斯剪辑。

But the failure of the Romney campaign to catch fire is good news for Mr McCain.

对于罗姆尼不利因素的不断关注——这对他来说可是个坏消息，反而对麦克恩是个喜讯。

STEVE EMBER: Most photo experts will tell you that the picture Joe Rosenthal made is almost perfect.

史蒂夫恩贝尔：大多数照片的专家会告诉你，图片乔罗森塔尔作出几乎是完美的。

Um, Rossetti and Burne-Jones, anyway.

罗塞蒂和伯恩·琼斯都不错

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。