罗德尼

He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.

亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。

Ancient sources for Athena include: Aeschylus, Apollodorus, Callimachus, Diodorus Siculus, Euripides, Hesiod, Homer, Nonnius, Pausanias, Sophocles and Strabo.

在古代的文献中提到过雅典娜的包括：埃斯库罗斯、阿波罗多洛斯、卡利马库斯、狄奥多罗斯·西库路斯、欧里庇得斯、赫希俄德、荷马、鲍萨尼阿、索福克勒斯和斯特拉波。

1 But some of the local governors, Timothy and Apollonius, son of Gennaeus, as also Hieronymus and Demophon, to say nothing of Nicanor, the commander of the Cyprians, would not allow them to live in peace.

可是，有几位地方总督如提摩太、革纳约的儿子阿颇罗尼、耶洛尼摩、德摩丰、和塞浦路斯军队的总司令尼加诺尔，仍然不让犹太人安居乐业。

But they that were behind, namely, Timotheus and Apollonius the son of Genneus, also Hieronymus, and Demophon, and besides them Nicanor the governor of Cyprus, would not suffer them to live in peace, and to be quiet.

可是，有几位地方总督，如提摩太、革纳约的儿子阿颇罗尼、耶洛尼摩、德摩丰、和塞浦路斯军队的总司令尼加诺尔，仍然不让犹太人安居乐业。

But they that were behind, namely, Timotheus and Apollonius the son of Genneus, also Hieronymus, and Demophon, and besides them Nicanor the governor of Cyprus, would not suffer them to live in peace, and to be quiet.

可是，有几位地方总督，如提摩太、革纳约的儿子阿颇罗尼、耶洛尼摩、德摩丰、和塞普勒斯军队的总司令尼加诺尔，仍然不让犹太人安居乐业。

Aficionados will regret the loss of certain musical passages--"The Ballad of Sweeney Todd" is just an instrumental overture and the chorus is gone altogether, among others--but the reassuring presence of orchestrator Jonathan Tunick and conductor Paul Gemignani ensures that the music feels right and sounds great.

爱好者将遗憾的是，某些音乐段落损失-他说：&理发师陶德谣&，只是一个工具序曲和合唱团完全消失，等等-但Orchestrator的安定人心的作用强纳森图尼克及指挥家保罗吉米尼亚尼确保音乐感觉不错，声音很大。

These include sons and daughter and brothers and sisters from the following pigeons Kleinen, Wittenbuik, Schone Fideel, Rambo, Turbo, Play Boy, Pijl, Zoon Nationaal, De Klaren, Crayonne, Ronker, Brive, Amocachi, the list goes on.

这些包括以下鸽子的儿子，女儿，兄弟和姐妹：克雷尼恩，怀特别克，斯科尼费迪乐，蓝博，特波，花花公子，皮尔，祖那新诺，德克拉伦，克瑞欧尼，罗恩克尔，布来弗，阿莫卡翅，名单还有很多。

The 20 outer boroughs are Waltham Forest, Redbridge, Havering, Barking and Dagenham, Newham, Bexley, Bromley, Croydon, Sutton, Merton, Kingston upon Thames, Richmond upon Thames, Hounslow, Hillingdon, Ealing, Brent, Harrow, Barnet, Haringey, and Enfield.

20外区的沃尔瑟姆森林， Redbridge ， Havering ，门口和Dagenham ，纽汉，贝克斯利，布罗姆利，克罗伊登，萨顿，默顿，金士顿对泰晤士，里士满泰晤士河畔， Hounslow ， Hillingdon ，伊灵，布伦特，哈罗，巴尼特， Haringey ，和恩菲尔德。

Numerous archipelagos are part of the Brazilian territory, such as Fernando de Noronha, Rocas Atoll, Saint Peter and Paul Rocks, and Trindade and Martim Vaz.

费尔南多-迪诺罗尼亚，罗考什环礁，圣彼得和保罗岩石，特林达德和马丁瓦斯群岛也都是巴西的一部分。

I had been reading up on Spain and was totally mesmerized by it, thanks to Andr Malraux's Man's Hope, George Orwell's Homage to Catalonia, and Hugh Thomas's masterly The Spanish Civil War.

我一直在博览有关西班牙的书，完全对这个国家着了迷，这要感谢以下这些书箱：安德烈。马尔罗的《人类的希望》、乔治。奥威尔的《向加泰罗尼亚》和休。托马斯的杰作《西班牙内战》。马尔罗在书中探讨了知识分子面临的两难境地。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。