罗德尼

The conflagration of the second Peloponnesian War, the subject of Thucydides' history, can be traced to a spark on the periphery of Greek life, the city of Epidamnus, in which a civil war pitted democrats against oligarchs.

第二次伯罗奔尼撒战争的爆发——修昔底德历史的主题——可以追溯到伊庇丹努城市的星星之火，它处于希腊生活的外围，在那里，民主者挑起了一场战争反对寡头统治者。

Meet Travis Bickle--the disturbed ex-soldier played by actor Robert De Niro in the 1976 film Taxi Driver.

这就是崔维斯·毕可──1976年电影《计程车司机》一片中，由罗伯特·德·尼罗所饰演的一名精神错乱的退役军人。

Frankenheimer, a car nut who often featured fast sports cars in films, picked the Audi S8 in part for its speed.

这部影片由罗伯特德尼罗主演、导演是已故的约翰弗兰肯海默。

The Frankish ruler of the Peloponnesos was the Prince of Achaea, with his capital at Andravida in Elis.

伯罗奔尼撒的法兰克统治者是亚该亚大公，首都在埃利斯的安德拉费达城。

In the Season Two episode of The Clone Wars,"Holocron Heist", written by Paul Dini and directed by Justin Ridge, Parasitti makes her first appearance, voiced by Gwendoline Yeo.

在由保罗·迪尼编剧、贾斯廷·里奇导演的《克隆人战争》第二季第一集《全息仪窃案》里，帕拉西蒂初次亮相，由格温德琳·约配音。

She has sung Mahler's Second Symphony and Eighth Symphony, Poulenc's Stabat Mater, Mozart's Exsultate, jubilate, Debussy's La Damoiselle Elue, Carl Orff's Carmina Burana, Villa-Lobos' Bachianas Brasileiras No. 5 and concerts of Schubert and Rossini.

她曾演唱过马勒的第二和第八交响曲、普朗克的《圣母悼歌》、莫扎特的经文歌《快乐》、德彪西的《中选的小姐》、奥尔夫的《博伊伦之歌》、维拉·洛博斯的《巴西的巴赫风格》以及舒伯特和罗西尼的音乐会作品等大量曲目。

In two of her first films, Meryl acted alongside Robert De Niro (in 1978's "The Deer Hunter") and Dustin Hoffman (in '79's "Kramer vs. Kramer"). The films garnered Meryl her first Oscar nomination and her first win, respectively.

梅丽尓在她的两部早期电影《猎鹿人》和《克莱默夫妇》里与罗伯特·德尼罗以及达斯汀·霍夫曼同台飚戏，后一部影片更为梅丽尓收获了第一项奥斯卡提名以及第一樽小金人

A Lance Corporal Harold Dawson and a Private Louden Downey...

准下士哈罗德·道森和一等兵劳登·多尼

The resulting confusion and lack of support from Harold Macmillan, the prime minister, led to his resignation.

由此产生的混乱以及缺乏首相哈罗德·麦克米伦的支持，最终导致了霍尼戈夫辞职。

He concludes that it is hard to find any contemporary issue of statecraft and foreign relations that does not have an antecedent in Thucydides' magisterial account of the Peloponnesian War.

他总结说，我们很难在现代的国家治术和对外关系中找到在修昔底德对伯罗奔尼撒战争的天才描述中没有先例的问题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。