罗德

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话："在我有急事时谁突然抓住了我的衣襟？"

Rather than a full set of 18th-century Chippendale dining table, chairs, sideboard and wine cooler, his clients were requesting one or two antiques and relying on custom upholstered pieces.

斯特拉福德的客户包括时装设计师卡尔·拉格菲尔德、实业家保罗·戴斯玛莱斯和已故银行家埃德蒙德·萨夫拉。

Pugin, Ruskin, and Viollet-le-Duc are representative of the Gothic Revivalism theorists who gave impetus to the Gothic Revival by their work. A review of the literature shows that the superiority of the Gothic Style derived from different kinds of interpretation, such as religious spirit, social reform, esthetic taste, practical function, economic considerations, and construction technology. These interpretations originated in different kinds of values. The main reason why these theorists promoted the revival of the Gothic Style came from personal factors. Their differences in personal values illustrated that the Gothic Revival was the result of various motive forces which gathered together.

普金、罗斯金以及维奥列-勒-杜克(Viollet-le-Duc)三位建筑理论家是十九世纪推动哥德复古的主要代表人物，三者均利用个人的著作传达他们对哥德样式的支持，根据相关文献的探讨，哥德样式的优越性来自於个人的诠释观点，具有代表性的包括：精神信仰、社会改革、美学品味、实用机能、经济考量与工程技术，不同的诠释方式来自於不同的价值观，这说明了理论家鼓吹哥德样式的主要因素是来自於个人因素，个人价值观的差异性也说明了哥德复古邉拥漠a生是各种推动力量汇集折冲的结果。

Know that, having regard to God and for the salvation of our soul, and those of all our ancestors and heirs, and unto the honour of God and the advancement of the holy Church, and for the reform of our realm, by advice of our venerable fathers, Stephen archbishop of Canterbury, primate of all England and cardinal of the holy Roman church, Henry archbishop of Dublin, William of London, Peter of Winchester, Jocelyn of Bath and Glastonbury, Hugh of Lincoln, Walter of Worcester, William of Coventry, Benedict of Rochester, bishops; of master Pandulf, subdeacon and member of the household of our lord the Pope, of brother Aymeric (master of the Knights of the Temple in England), and of the illustrious men William Marshall earl of Pembroke, William earl of Salisbury, William earl of Warenne, William earl of Arundel, Alan of Galloway, Waren Fitz Gerald, Peter Fits Herbert, Hubert de Burgh, Hugh de Neville, Matthew Fitz Herbert, Thomas Basset, Alan Basset, Philip d'Aubigny, Robert of Roppesley, John Marshall, John Fitz Hugh, and of other faithful subjects.

知道这一点，考虑到上帝拯救我们的灵魂，和所有我们的祖先和继承人，和你们的荣誉上帝和提高罗马教会，并为我们的改革领域，我们的意见尊敬的父亲，斯蒂芬坎特伯雷大主教，灵长类动物的所有英格兰和红衣主教的罗马教会，亨利都柏林大主教威廉的伦敦，彼得温切斯特，乔斯林巴斯和格拉斯顿伯里，休林肯，沃尔特伍斯特，威廉考文垂笃罗彻斯特主教；主Pandulf ， subdeacon和家庭成员我们的主教宗的弟弟艾默里克（船长圣堂骑士团在英格兰），和杰出的男子威廉彭布罗克伯爵马绍尔群岛，威廉索尔兹伯里伯爵，威廉伯爵Warenne ，威廉伯爵阿伦德尔艾伦加洛威，瓦伦菲茨杰拉尔德，彼得适用赫伯特，贝尔德1646 ，内维尔休日，马修费赫伯特，托马斯巴萨特艾伦巴萨特，菲利浦德欧比尼，罗伯特的Roppesley ，约翰马歇尔，约翰费休，以及其他忠实科目。

Christ Church has a fascinating history and many distinguished people have studied here including John Taverner, Philip Sidney, John Locke, Robert Hooke, John Wesley, Robert Peel, William Gladstone, Frederick Lindemann, William Walton, WH Auden, Hugh Trevor Roper, Jan Morris, David Dimbleby, Rowan Williams, Richard Curtis and Howard Goodall.

基督教堂有一个迷人的历史和许多杰出的人在这里学习过，包括约翰Taverner ，菲利普西德尼，洛克，罗伯特虎克，约翰卫斯理，罗伯特皮尔，威廉格拉德斯通，弗雷德里克林德曼，威廉顿，武汉奥登，休特雷弗罗佩尔，一月莫里斯大卫丁布尔比，威廉斯，理查德柯蒂斯和霍华德古道。

Fender offered other acoustic and electric models with the same veneer option, adding "Wildwood" to the model name as with the "Wildwood" Coronado Bass guitar.

挡泥板提供相同的贴面选择其他的声学和电模式，加入"怀尔德伍德"的型号名称作为与"怀尔德伍德"科罗纳低音吉他。

Woking: Ross Worner, Patrice Konan, Colin Miles (Paul Lorraine, 77), Danny Bunce, Paolo Vernazza, Goma Lambu, Giuseppe Sole, Matt Pattison (Adekunle Salau, 82), Abdou El Kholti, Liam Marum Manny Williams, 66

沃金队阵容：罗斯-沃纳，帕特里斯-科南，科林-迈尔斯（保罗-罗莱恩，77分钟），丹尼-邦斯，保罗-维尔纳扎，戈马-朗布，朱塞佩-索勒，马特-帕蒂森（阿德昆勒-萨劳，82分钟），阿卜杜-艾尔科迪，利安-马拉姆（曼尼-威廉姆斯，66分钟）。

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话：&在我有急事时谁突然抓住了我的衣襟？&

The most obvious examples from our own history are slavery and segregation, but there are plenty of others, from welfare to education, from crime to drug use, to Supreme Court decisions like Dred Scott v.

从我们自己的历史，最明显的例子是奴隶制度和种族隔离，但也有很多人，从福利到教育，从使用毒品犯罪，以最高法院喜欢德雷德斯科特诉桑福德法院的裁决，布朗诉托皮卡市教育委员会的和罗伊诉韦德。

The Rover 75 started life as a project for the complete re-skin of the Rover 600, under the control of Rover Group designer Richard Woolley, but following the BMW takeover it was quickly decided that the Rover 600 would not be re-skinned but replaced by an entirely new model.

罗孚75开始作为一个完整的可再生能源项目的罗孚600皮肤的生活，在罗孚集团的设计师理查德伍利控制，但宝马收购后，它很快决定，罗孚600不会再更换，但剥皮由一个全新的模式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。