罗德

It's the stroker, not the poker, Rod.

罗德，那是肉棍，不是铁棍。

In essence, software is grown from the bottom up in a manner not unlike Rodney Brooks's subsumption architecture.

从某种意义上来看，软件的这种自下向上的发展过程与罗德尼·布鲁克斯的那种包容结构本质上并无不同。

In essence, software is grown from the bottom up in a manner not unlike Rodney Brooks's subsumption architecture .

根本来说，软件的这种自底向上的"生长"过程，跟罗德尼·布鲁克斯的那种向下兼容的"建筑术"并无不同。

"We are approximately two hundred million kilometers from system center of the stellar coordinates provided," Jerrod reported.

"以恒星座标为标准我们离星系的中心大约两亿公里，"杰罗德汇报。

Then Jem joined Karaman exile Kasim Beg, who had been at the court of Uzun Hasan's son Yaqub Beg (r. 1478-90) at Tabriz, for an attack on Konya; this time Jem fled to the Knights at Rhodes.

然后建加入卡拉曼流亡卡西姆求，谁已经在法院的乌尊哈桑的儿子雅各布鲁伯（河1478至90年）在大不里士，为攻击科尼亚；这个时候建逃到骑士在罗德。

Such talk would open the way for theocrats to terrorise humanity anew with divine wrath, his critics said.

针对罗德的批评者说，这样的言论会帮助神权政治家利用天怒人怨的说法再度威胁全人类。

Rodney doesn't seem that Jimmy Stewart-ish in design, but there's something ungainly and graceful about him at the same time, which I thing was a lot of Jimmy Stewart's appeal.

罗德尼并不认为吉米斯图尔特是那种可塑造的人物，但他同时所具有的粗鲁的与优雅的气质，我想也正是他所吸引人的地方。

As Harold reeled and feel into the cruel, unpitying fists.

在这残酷、毫不留情的拳头的攻击下，哈罗德打着趔趄，倒了下去。

Rodriguez has said that the "real versions" of his movies are the extended, unrated ones on DVD.

罗德葛兹曾经说过，他的电影的「真正版本」是DVD的加长版、一刀未剪的版本。

In an upstairs room of my city house, at midnight, I would send out through the open windows long, tortured 9fragments of Alwin Schroeder's 170 Foundation Studies for Violoncello to mingle with the squeals of cats.

午夜时分，我在城里住宅的楼上房间里，经常拉阿尔温·舒罗德的《大提琴基本练习曲170首》，从敞开的窗户传出长时间折磨人的练习曲片段，和猫的抗议声混在一起。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。