罗尔

In 1920, Soupault sent the painter a copy of the original edition of his poem Rose des vents (Paris, Au sans pareil Publishers) with the following dedication:"To Robert Delaunay who knows the Eiffel Tower like his back pocket like I know the Ferris wheel"(Paris, Bibliothéque Nationale de France), which may have prompted the painting of this portrait.

苏保罗于1920年将自己的诗作《粉红的风》手稿送给德洛内，并赠言「给侯贝尔德洛内，他对艾菲尔铁塔如自己袋中物般谂熟，亦好像我对摩天轮般熟悉。」相信苏保罗所赠的诗，对这幅绘画有着莫大的影响。

For example, Jesse Shapiro of the University of Chicago and Roland Fryer of Harvard are recognisably the intellectual heirs of Mr Levitt.

例如，芝加哥大学的耶希·夏皮罗与哈佛的罗兰·弗莱尔就是列维特先生公认的学术继承人。

He had been a shadow of his former self in recent months in La Liga, but the San Siro air has revitalised Ronaldo.

在过去的几个月里，西甲让罗纳尔多郁闷像只鬼，但是圣西罗的圣空气又让它复活了。

The US study, published in the journal BMC Public Health, may appear to contradict the traditional image of the beer belly often found attached to those who like a drink or two.But the researchers said the results did not mean teetotallers should turn to the bottle in the battle of the bulge.

据《每日邮报》12月5日报道，进行这项研究的是两名美国学者，他们分别是来自得克萨斯理工大学的阿梅德·阿里夫博士以及来自明尼苏达州罗切斯特市梅奥诊所的詹姆斯·罗勒尔教授。

Before further interpreting and justifying the substance of Shakespearean tragedies, I make a brief review of the major visions on death in Chinese and Western thoughts; the Freudian concepts of Eros and the death instinct are also induced in this chapter as a theoretical device to enter the discussion of the theme of death.Chapter Two attempts to solve the question ofIs it the denial of death or

论述了五部悲剧中种种情形复杂的&爱&是如何惊人地与潜伏在悲剧人物下意识中的&死亡本能&联系在一起的，有哈姆雷特因&俄狄浦斯情结&而对奥菲里亚所产生的扭曲却强烈的爱；有奥赛罗对德斯底蒙娜由爱而生痛惜、嫉妒而最终走向&执行正义&的爱；有李尔王对小女儿考地利亚超越父女之情的爱，有安东尼和克利欧佩特拉由性爱而转变、升华的精神之爱，有罗密欧与朱丽叶富有浪

Goalkeepers: Romero (AZ Alkmaar / Netherlands), Andujar (Catania / Italy), Hasa (Cologne / Argentina)...

门将：罗梅罗、安杜哈尔、波佐。。。

April-August - Lupin becomes involved in a quest for the secret of the Fountain of Youth, a mineral water source hidden under a lake in the Auvergne, which is sought by Inspector Marescal and his nemesis, the eponymous green-eyed beauty, Aurelie d'Asteux, and Constance Bakefield, a blue-eyed beauty, the daughter of a British diplomat and the head of a daring gang of thieves, a British female Lupin.

4月-8月——罗宾被卷人一场探寻一个湖底的宝藏的活动。国际密探马雷卡尔和他的对手们都竞相寻找这个宝藏。他的对手包括一位谜一般的绿眼睛少女奥蕾莉·塔斯都和一位蓝眼睛的美女康士坦斯·贝克菲特，她是英国一位外交官的女儿，同时也是一伙大胆的盗贼的首领，可以说是一个英国版的女罗宾。

Rupert Grint's latest film Cherrybomb is definitely generating lots of buzz in Irish media. A few days ago we posted a snippet from an interview with Lisa Barros D'Sa, and today we have the entire Cherrybomb feature, courtesy of BBC Radio Ulster. The feature is a part of their Across The Line series, devoted to contemporary indie and underground dance music, presented by Rigsy and Paul Hamill. Their collaborator Keith Anderson talked to Cherrybomb directors Glenn Leyburn and Lisa Barros D'Sa about Rupert Grint and how he became involved with this project, but also about music used in the film, the Belfast setting and other things.

鲁珀特的新片《樱桃炸弹》毫无疑问引起了爱尔兰媒体的巨大关注，前两天我们曾经发布过一小段对该片导演之一丽莎巴罗斯德萨的采访片段，现在该次完整的采访已经由BBC广播电台阿尔斯特（爱尔兰一地区，分属爱尔兰和北爱尔兰）分部播出，这个采访是该电台的Across The Line 节目的一部分，这个节目致力于介绍时下的独立和地下舞曲音乐，由Rigsy和 Paul Hamill主持，他们的合作者Keith Anderson 与《樱桃炸弹》的两位导演格伦雷伯恩和丽莎巴罗斯德萨进行了谈论了鲁珀特格林特，以及他是如何参与到这部影片中来的，他们也谈到了影片中的音乐、用于拍摄的贝尔法斯特的各个场所以及其它一些事情。

Paul Celan ( 1920-70), originally Paul Anczel, was born in Cernauti, then in Romania; previously it was known as Czernowitz, the capital of the Bukovina province of the Austrian Empire; it is now Chernovtsy in Ukraine.

保罗·策兰（1920-70），原名保罗·安策尔，出生于罗马尼亚，策芒蒂、此地原名策摩威兹，是原奥匈帝国布科文纳省的首府。现在是乌克兰的切洛威兹。

Dostum offered to take Pierre-Richard Prosper, who was then the US ambassador-at-large for war crimes issues, on a tour of the grave site in late 2002, but Prosper declined.

杜斯塔姆提出采取皮埃尔理查德普罗斯珀，谁当时的美国驻华大使，在大的战争罪行问题，参观了墓地在2002年下半年，但普罗斯珀下降。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。