罗尔

But soon he was alerted to the remarkable promise of a young slip of a lad named Ryan Wilson, whom he would eventually persuade to decamp from Manchester City, and a host of others, which included Nicholas Butt, a tough lad from Gorton, Paul Scholes, a diminutive goal machine from Oldham, and Gary Neville, the elder of two promising brothers from Bury.

但很快他对一个名叫莱恩。威尔逊的小伙子刮目相看，本来他是要去曼城的。同样的还有来自哥顿的小硬汉尼基。巴特，来自奥尔德海姆的进球机器保罗。斯科尔斯以及来自巴里的内维尔兄弟的大哥加里。内维尔。

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而，我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯－斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙，画家乔恩·龙伯格（他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用）、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚；顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克；KCET管理人员，特别是格雷格·安多尔弗（他首先把KCET的建议传达给我们）、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀，《宇宙》电视系列片的担保人和合作制片人，其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

Some of them—like Carlos Castaneda, Jonas Salk and Fidel Castro—were world-famous.

他们中的一些——像卡罗斯·卡斯塔尼达、乔纳斯·萨尔克和菲德尔·卡斯特罗——都是世界知名人士。

Neil, an electrical projects manager from Rotherham, Yorks, was working in the remote Siberian town of Sayanogorsk when he revealed to a local bar manager, through an interpreter, that he once played bass guitar for a local band called Rocco.

尼尔，只是一名来自约克郡罗泽哈姆的电力企业管理人员，他在遥远的西伯利亚萨扬诺戈尔斯克小镇工作时，曾通过翻译告诉当地一个酒吧经理：他曾经为当地一个叫&罗可&的乐队伴奏过贝司吉他。

Players with traditional grips of old, like Rod Laver and Ken Rosewall, typically rotated their torsos less and nished with their hitting shoulders almost parallel to the baseline.

使用传统握拍的老一辈选手中象罗德拉威尔和肯罗斯维尔，很典型他们的躯体转动并不明显，常常在击球结束后握拍手一侧的肩膀是和底线平行的。

Two years after that French Open win over Laver, the 35-year-old Rosewall won the U.S. Open, taking out Wimbledon champ John Newcombe in the semis. In 1974, at the age of 39, Rosewall reached the finals of Wimbledon and the U.S. Open.

在法网击败拉沃尔获得冠军两年后，35岁的罗斯瓦尔在美网半决赛击败了温网冠军约翰-纽坎伯，最终拿下了美网桂冠。1974年，39岁的罗斯瓦尔打进了温网和美网的决赛，但是都被康纳斯击败了。

Rosewall also racked up a pair of Australian Open wins in '71 and '72. Granted, the fields were shallow, but in both of these years, Rosewall also beat Laver in the finals of the World Championship Tennis season-ending playoff in Dallas -- a title that was unquestionably more highly valued than the French or Australian.

罗斯瓦尔还在71和72年两夺澳网冠军，尽管当时澳网水平不高，但是在那些年里，罗斯瓦尔还在达拉斯举办的世界网球冠军联赛的季后赛决赛上击败了拉沃尔--毫无疑问地，他的这个冠军的价值远远大于法网和澳网冠军。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析，认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响；再从60年代之后，后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑；然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家，指出&反对阐释&不只是一种文学批评主张，还是一种文化批判理论，它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

About that time, Hitchcock became intrigued by photography and started working in film in London. In 1920, he obtained a full-time job at Islington Studios under its American owners, Players-Lasky, and their British successors, Gainsborough Pictures, designing the titles for silent movies. In 1925, Michael Balcon of Gainsborough Pictures gave him a chance to direct his first film, The Pleasure Garden.

就是在那个阶段，希区科克对摄影产生了浓厚的兴趣并且开始在伦敦的电影业中工作。1920年他在美国Players-Lasky公司旗下的伊斯灵顿电影制作工作室以及后来由英国人创建的庚波斯罗图片社中找到了一份全职工作，设计无声电影中的字幕。1925年庚波斯罗图片的迈克尔白尔肯给了他指导生平第一部电影--&欢乐园&的机会。

The outstanding architectural work of the High Renaissance was the rebuilding of St.

杰出的建筑工作的高级文艺复兴是重建圣彼得大教堂，结合技能布拉曼特，米开朗基罗，拉斐尔，桑加罗和尔诺。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。