罗娜

After Oscar Hijuelos won the Pulitzer Prize for his sizzling novel of Cuba, The Mambo Kings Play Songs of Love, publishers competed to bring out books by Latinos from a variety of backgrounds: Julia Alvarez's vividly told How the Garcia Girls Lost Their Accents, about four Dominican sisters in the Bronx; Cristina Garcia's sprightly Dreaming in Cuban, about her immigrant family in Miami; Francisco Goldman's The Long Night of White Chickens, set during Guatemala's military rule; When I Was Puerto Rican, Esmeralda Santiago's dreamy paean to her childhood; Drown, Junot Díaz's prickly stories about Dominican street punks.

在奥斯卡·希胡罗斯以古巴主题的激情小说《曼波王演奏爱之歌》荣获普利策奖之后，出版商争先恐后推出各种背景的拉美裔作家的作品。于是便有了朱莉娅·阿尔瓦雷斯叙述布朗克斯区4个多米尼加姐妹成长故事的生动小说《卡西亚姑娘们不再带口音》；克里斯蒂娜·加西亚描绘她在迈阿密的移民家庭的清新明快的《梦回古巴》；弗朗西斯科·戈德曼以危地马拉军统时期为背景的《白鸡的漫长夜》；埃斯梅拉达·圣地亚哥追忆梦幻童年的《我是波多黎各人的岁月》；以及朱诺特·迪亚斯描写多米尼加裔街头无业青年严酷生活的短篇小说集《沉沦》。

Grant trades once again on his irresistibly clumsy, self-deprecating charm, but Roberts not only gets another great role in the genre where she's done her best work, she also gets to mock the Event Film and her own celebrity by playing Anna as an overpaid, mediocre and not entirely stable actress, who recognizes her shortcomings but hopes to someday star in something better than sci-fi extravaganzas and submarine thrillers in which she has to "save the world in 20 minutes."

给予行业再次对他的势不可挡的拙劣，自我deprecating的魅力，但罗伯茨，不仅获得的又一伟大的作用，在体裁，她的做她的最好的工作，她也愈模拟事件的电影和她自己的名人所扮演安娜作为一个过高，平庸和不完全稳定的女演员，谁认识她的缺点，但希望总有一天，明星在一些较科幻extravaganzas和潜艇使人毛骨悚然，她在其中要&拯救世界，在20分钟&。

He was the overlord of gods and men and the operator of the thunderbolt .next to him was hera ,his proud and greeneyed queen.poseidon was ruler of the sea,and hades ,king of the lower world ,had no seat in the committee.apollo was the god of the sun,music and poetry,while his twinsister artemis was the goddess of the moon and the chase.

波塞冬是大海的统治者。哈得斯是主宰阴间的冥王，他在委员会中没有席位。阿波罗是太阳神、音乐和诗神。他的孪生姐妹阿耳特弥斯是月亮和狩猎女神。雅典娜是智慧女神和家居艺术品的守护女神。

The campus is located at Robina on the Gold Coast, Queensland, bounded by Lake Orr to the east and north and by Varsity Lakes to the south and west.

校园位于罗比娜在黄金海岸，昆士兰州的奥尔界湖的东部和北部地区和大学联合湖区到南部和西部。

In 1533, a fourteen-year old Caterina de' Medici,(1519–1589) born in Florence to Lorenzo II de' Medici and Madeleine de la Tour d'Auvergne married Henry, second son of King Francis I and Queen Claude.

洛伦佐·德·梅第奇和马德莱娜·图尔·韦涅的女儿凯瑟琳·德·梅第奇生于弗罗伦萨，1533年，14岁的凯瑟琳嫁给了亨利，国王弗朗索瓦一世和克劳德皇后的次子。

Ana Beatriz Barros is a 26 year old Brazilian model known for her work with Guess?

安娜贝琪巴罗斯是一个26岁的巴西模特，她与Guess工作的吗？

Ana Beatriz Barros is an international supermodel from Brazil who has made a name for herself modeling top name swimwear, chic daywear and lingerie.

安娜贝琪巴罗斯是来自巴西的国际超级模特谁作出了自己的名字建模顶尖名泳装，内衣和时尚

Her mother, Ranjana, 45, explained that her daughter's condition was not apparent until some time after her birth.

她的妈妈，45岁的罗杰娜说她女儿的情况在她出生时还不明显。

"The first people who used the Gobero cemetery were Kiffian, hunter-gatherers who grew up to two metres tall," says Elena Garcea of the University of Cassino in Italy and one of the scientists on the team.

&第一批利用格博罗作为墓地的人类是基菲安人，他们靠采集狩猎为生，身高达两米，&研究小组中的科研人员之一、意大利卡西诺大学的埃琳娜·加西亚说。

And labordette appeared , towing five women in his rear , his boarding school , as lucy stewart cruelly phrased it . there was gaga , majestic in a blue velvet dress which was too tight for her , and caroline hequet , clad as usual in ribbed black silk , trimmed with chantilly lace . lea de horn came next , terribly dressed up , as her wont was , and after her the big tatan nene , a good - humored fair girl with the bosom of a wet nurse , at which people laughed , and finally little maria blond , a young damsel of fifteen , as thin and vicious as a street child , yet on the high road to success , owing to her recent first appearance at the folies

她们当中有加加，她穿着蓝色天鹅绒长裙，裙子紧紧裹在身上，神态很庄重有卡罗利娜埃凯，她总是穿着一件镶着尚蒂伊网眼花边的黑缎裙有莱娅德霍恩，她像平常一样，身上穿得怪模怪样的有胖子塔唐内内，她是一个善良的金发女郎，胸部发达得像个奶娘，人们常常嘲笑她最后是玛丽亚布隆，她是一个十五岁的女孩，长得很瘦，脾气很坏，像个小淘气鬼，是游艺剧院初次登台的明星。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。