罗塞蒂

In Ken Russell's biopic of Rossetti, Dante's Inferno

在肯罗素的传记片的罗塞蒂

In the century's first decade poetry still had a large audience; volumes of verse published in that time included Thomas Hardy's The Dynasts, Christina Rossetti's posthumous Poetical Works, Ernest Dowson's Poems, George Meredith's Last Poems, Robert Service's Ballads of a Cheechako and John Masefield's Ballads and Poems.

在本世纪的头十年诗歌仍有大批观众；卷诗发表在当时包括哈代的Dynasts ，克里斯蒂娜娜罗塞蒂的遗诗作品，欧内斯特道森的诗，乔治梅瑞迪斯的最后诗歌，罗伯特服务的歌谣的Cheechako和John马斯菲尔德的歌谣和诗歌。

He was already in the forefront of literary and artistic circles, being a close friend of the Pre-Raphaelite painter Dante Gabriel Rossetti and his circle and a champion of contemporary French poets, including Baudelelaire.

当时他作为前拉裴尔派画家丹蒂·加布里埃尔·罗塞蒂及其圈内人物的亲密朋友，已在文学和艺术领域位居前列，而且还是包括波德莱尔在内的法国同时代诗人中的领袖人物。

He quoted a few lines of Rosette .

他引述罗塞蒂的几行诗句。

When I am dead, my dearest,/ Sing no sad songs for me- Christina Rossetti.

当我死去的时候，我最亲爱的人，|不要为我唱挽歌-克里斯蒂娜·罗塞蒂。

Christina Rossetti is widely regarded as the greatest female poet in English up to her own time.

克里斯蒂娜。乔治娜。罗塞蒂被广泛的认为是英国女性诗人中最了不起的。她忙于自己有限的时间里。

Remember Me When I Am Gone Away Christina Georgina Rossetti (1830-1894) Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go, yet turning stay.

记着我吧克里斯蒂娜·乔治娜·罗塞蒂 1830-1894年）记着我吧，当我离你而去，去到遥远的地方一片寂静；那时你再不能把我的手拉紧，我也不能转身要走却又迟疑。

Sad'.'' news; Better by far that you should forget and smile / Than that you should remember and be sad- Christina Rossetti.

哀伤'。''的消息；忘掉和微笑要比/记住和悲伤美好得多克里斯蒂娜·罗塞蒂。

Ken Russell 's 1967 film Dante's Inferno concentrates on the life of Rossetti, with brief scenes on the other leading Pre-Raphaelites.

肯拉塞尔的1967年电影但丁的地狱集中在生活罗塞蒂，简短的一幕幕其他领先的前拉斐尔派。

Dante Gabriel Rossetti wrote several, including Jenny and The Blessed Damozel; Christina Rossetti wrote a number, including The Convent Threshold.

但丁加布里埃尔罗塞蒂写道几个，其中包括珍妮和神圣Damozel ；克里斯蒂娜尔罗塞蒂写了一些，包括修道院的阈值。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。