罗克西

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In 1966, Shaw joined the Royal Shakespeare Company, where he spent the next decade of his career and eventually became an associate artist He mostly appeared in Shakespeare plays, including the title role in Cymbeline; Edmund of Langley in Richard II; the King in All's Well That Ends Well; Ulysses in Troilus and Cressida; and Leonato in Much Ado About Nothing.

1966年，肖加入皇家莎士比亚公司，在那里度过了职业生涯中的十年并最终成为一名联合艺术家。他几乎一直在演莎剧，包括《辛白林》、《爱德华三世》、《理查德二世》中的同名主角；《皆大欢喜》中的国王；《特洛伊罗斯与克瑞西达》中的尤利西斯；《无事自扰》中的雷奥那多。

Midfielders: Osvaldo Ardiles Ademir Didi Roberto Rivelino Gerson Falcao Clodoaldo Zico Enzo Francescoli Paul Gascoigne Michel Platini Lothar Matthaus (W Germany/Germany) Wolfgang Overath Bobby Charlton Johan Neeskens Frank Rijkaard Ruud Gullit Johnny Rep Rene van der Kerkhof Wim Van Hanegem Grzegorz Lato Gheorghe Hagi Enzo Scifo Dragan Dzajic Nils Liedholm Teofilo Cubillas Michael Laudrup Josef Masopust Carlos Valderrama Junich Inamoto.

中场：阿迪莱斯，阿德米尔、迪迪、利维里尼、贾尔森、法尔考、克罗多亚尔队储济科，弗朗西斯科利，加斯科茵、博比·查尔顿，普拉蒂尼，马特乌斯、奥弗拉特，内斯肯斯、里杰卡尔德、古力特、约翰尼·雷普、范德科克霍夫、范哈内亨，拉托，哈吉，希福，德拉甘·德扎季奇，利德霍尔姆，库比拉斯，迈克尔·劳德鲁普，，巴尔德拉马，稻本润一日本

Midfielders: Osvaldo Ardiles, Ademir, Didi, Roberto Rivelino, Gerson, Falcao, Clodoaldo, Zico, Enzo Francescoli, Paul Gascoigne, Michel Platini, Lothar Matthaus (W Germany/Germany), Wolfgang Overath, Bobby Charlton, Johan Neeskens, Frank Rijkaard, Ruud Gullit, Johnny Rep, Rene van der Kerkhof, Wim Van Hanegem, Grzegorz Lato, Gheorghe Hagi, Enzo Scifo, Dragan Dzajic, Nils Liedholm, Teofilo Cubillas, Michael Laudrup, Josef Masopust, Carlos Valderrama, Junich Inamoto.

中场：阿迪莱斯，阿德米尔、迪迪、利维里尼、贾尔森、法尔考、克罗多亚尔多、济科，弗朗西斯科利，加斯科因、博比·查尔顿，普拉蒂尼，马特乌斯、奥弗拉特，内斯肯斯、里杰卡尔德、古力特、约翰尼·雷普、范德科克霍夫、范哈内亨，拉托，哈吉，希福，德拉甘·德扎季奇，利德霍尔姆，库比拉斯，迈克尔·劳德鲁普，，巴尔德拉马，稻本润一日本

She has sung Mahler's Second Symphony and Eighth Symphony, Poulenc's Stabat Mater, Mozart's Exsultate, jubilate, Debussy's La Damoiselle Elue, Carl Orff's Carmina Burana, Villa-Lobos' Bachianas Brasileiras No. 5 and concerts of Schubert and Rossini.

她曾演唱过马勒的第二和第八交响曲、普朗克的《圣母悼歌》、莫扎特的经文歌《快乐》、德彪西的《中选的小姐》、奥尔夫的《博伊伦之歌》、维拉·洛博斯的《巴西的巴赫风格》以及舒伯特和罗西尼的音乐会作品等大量曲目。

The MIT Media Lab, founded in 1985 and known for its unconventional research,[175][176] has been home to constructivist educator and Logo creator Seymour Papert,[177] Lego Mindstorms and Scratch creator Mitchel Resnick,[178] Kismet creator Cynthia Breazeal,[179] affective computing pioneer Rosalind Picard,[180] and hyperinstrumentalist Tod Machover.

建于1985年，以其非传统的研究而著称的麻省理工媒体实验室，催生了诸如构建主义教育家，商标创制家西摩·派普特，乐高系列和便笺本的发明人米歇尔·瑞斯尼克，无线扫描发明人辛西娅·布莱西奥，情感计算先驱罗莎林德·皮卡德以及超工具主义者托德·马克欧弗。

Rosella Sensi, a club director and daughter of club president Franco Sensi, took a slightly different tack.

罗塞拉森西，俱乐部的领袖，前主席弗兰克森西的女儿则不这么认为。

Jackson, right, played the Scarecrow in the 1978 film version of the musical The Wiz, alongside Nipsey Russell as the Tinman and Diana Ross as Dorothy.

年，杰克逊在电影版音乐剧《绿野仙踪》中扮演稻草人，旁边是扮演铁皮人的尼普西·拉塞尔和饰演多萝西的戴安娜·罗丝。

Jackson , Alexandra Daddario, Jake Abel, Rosario Dawson, Steve Coogan, Uma Thurman, Ca the rine Keener, Sean Bean and Pierce Brosnan.

该星作为名义上的珀西杰克逊一起的全体演员，其中包括布兰登杰克逊，亚历山德拉达达里奥，杰克阿贝尔，罗萨里奥道森，史蒂夫库根，乌玛瑟曼，罗根勒曼钙的德里纳基纳，肖恩比恩和皮尔斯布鲁斯南。

Midfielders: Osvaldo Ardiles, Ademir, Didi, Roberto Rivelino, Gerson, Falcao, Clodoaldo, Zico, Enzo Francescoli, Paul Gascoigne, Michel Platini, Lothar Matthaus (W Germany/Germany), Wolfgang Overath, Bobby Charlton, Johan Neeskens, Frank Rijkaard, Ruud Gullit, Johnny Rep, Rene van der Kerkhof, Wim Van Hanegem, Grzegorz Lato, Gheorghe Hagi, Enzo Scifo, Dragan Dzajic, Nils Liedholm, Teofilo Cubillas, Michael Laudrup, Josef Masopust, Carlos Valderrama, Junich Inamoto.

中场：阿迪莱斯，阿德米尔、迪迪、利维里尼、贾尔森、法尔考、克罗多亚尔多、济科，弗朗西斯科利，加斯科因、博比·查尔顿，普拉蒂尼，马特乌斯、奥弗拉特，内斯肯斯、里杰卡尔德、古力特、约翰尼·雷普、范德科克霍夫、范哈内亨，拉托，哈吉，希福，德拉甘·德扎季奇，利德霍尔姆，库比拉斯，迈克尔·劳德鲁普，，巴尔德拉马，稻本润一

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。