罗克斯

Antilochus killed Phalces and Mermerus, while Meriones slew Morys and Hippotion, Teucer also killed Prothoon and Periphetes.

其后，安提洛科斯杀了法尔开斯和墨耳墨罗斯，墨里俄奈斯杀了莫鲁斯和希波提昂，丢克罗斯放倒了裴里菲忒斯和普罗索斯。

In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years.

此外，通过安妮威尔克斯塔克，斯图尔特亚历山大，马丁加塞，杰夫湖罗森海姆，米歇尔Frizot和Luc桑特提供散文集中的弗兰克与路易斯Faurer，爱德华斯泰肯，哥达舒，沃克埃文斯，罗伯特德尔皮尔和杰克凯鲁亚克的关系分析，而菲利普布鲁克曼写几个展览，在过去30年来他与弗兰克工作。

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而，我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯－斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙，画家乔恩·龙伯格（他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用）、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚；顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克；KCET管理人员，特别是格雷格·安多尔弗（他首先把KCET的建议传达给我们）、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀，《宇宙》电视系列片的担保人和合作制片人，其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

Cast ::, Julia Voth as Trixie , Erin Cummings as Hel , America Olivo as Camero , Michael Hurst as Gage , Ron Melendez as Deputy Fuchs , William Gregory Lee as Hot Wire , Minae Noji as Kinki , Scott Hanley as Black Ice , Kevin Sorbo as Mr .

演员：：，朱莉娅沃斯为特丽克西，艾琳卡明斯的Hel紫外光，美国橄榄的卡梅罗，迈克尔赫斯特为盖奇，罗恩梅伦德斯副福克斯，威廉格里高利的近畿，斯科特汉利的热丝，闵乃路的黑冰，凯文盛博正如刚才。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的"巴罗克"中直接发展出来的。

Theseus thought this folly6 must be punished and then he served Procrustes as he had served others.

忒修斯认为这样愚蠢的行为一定要受到惩罚，于是他用普罗克汝斯忒斯对待其他人的方法惩治了普罗克汝斯忒斯。

After the Dark Lord's defeat, Bellatrix and Rodolphus, along with Rodolphus's brother Rabastan and Barty Crouch Jr. captured and tortured two Aurors, Frank and Alice Longbottom. The Death Eaters hoped to learn from the Longbottoms the whereabouts of the Dark

伏地魔倒台以后，贝拉特里克斯和其丈夫罗道夫斯，还有罗道夫斯的兄弟Rabastan及小巴蒂克劳奇囚禁并折磨了傲罗弗兰克和爱丽丝·隆巴顿，他们试图让隆巴顿夫妇供出黑魔王的下落。

After the Dark Lord's defeat, Bellatrix and Rodolphus, along with Rodolphus's brother Rabastan and Barty Crouch Jr. captured and tortured two Aurors, Frank and Alice Longbottom. The Death Eaters hoped to learn from the Longbottoms the whereabouts of the Dark Lord.

伏地魔倒台以后，贝拉特里克斯跟罗道夫斯，与罗道夫斯的弟弟拉巴斯坦和小巴蒂·克劳奇一起，囚禁并折磨了两位傲罗：弗兰克和爱丽丝·隆巴顿，他们试图让隆巴顿夫妇供出黑魔王的下落。

By Hadrian he was given in adoption to Aurelius,13 when Hadrian, making abundant provision for the succession, wished to make Pius his son and Marcus his grandson; and he was given on the condition that he should espouse the daughter of Pius.14 She was later given to Marcus, however, as we have related in his life,15 because Verus seemed too much her junior in years, while Verus took to wife Marcus' daughter Lucilla.16 He was reared in the House of Tiberius,17 and received instruction from the Latin grammarian Scaurinus (the son of the Scaurus18 who had been Hadrian's teacher in grammar), the Greeks Telephus, Hephaestio, Harpocratio, the rhetoricians Apollonius, Caninius Celer,19 Herodes Atticus, and the Latin Cornelius Fronto, his teachers in philosophy being Apollonius20 and Sextus.21 For all of these he cherished a deep affection, and in return he was beloved by them, and this despite his lack of natural gifts in literary studies.

他被哈德良交给奥利留斯收养（13），当时哈德良正忙于为王位的继承作准备，打算让皮乌斯成为他的儿子，而马尔库斯成为他的孙子；他本来预备要娶皮乌斯的女儿（14）。但她后来嫁给了马尔库斯，如我们在他的传记里说的（15），因为维鲁斯的年龄太小了，后来他娶了马尔库斯的女儿露西娜（16）。他在台伯河上的家里长大（17），由拉丁文法家萨卡林努斯（哈德良的文法教师萨卡路斯（18）的儿子），希腊人特里福斯，赫菲斯提奥，哈波卡提奥，修辞学者阿波罗纽斯，卡林留斯。克涅尔（19），赫路德斯。阿提库斯，和拉丁人克列留斯。弗隆托教导。他的哲学教师是阿波罗纽斯（20）和塞图斯（21）。他对他们都怀着深深的珍爱，反过来，他也被他们所爱，尽管他在文学方面没什么天赋。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的&巴罗克&中直接发展出来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。