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The culminating work of the years spent abroad is the Piano Quintet in C minor, which illustrates several stylistic features that one meets repeatedly in Borodin's later music.

c 小调钢琴五重奏是他在国外的时间里的顶峰之作,它展现了鲍罗丁在后期的音乐中反复出现的一些风格特征。

Soviet advisers the most prominent of whom was Mikhail Borodin, an agent of the Comintern began to arrive in China in 1923 to aid in the reorganization and consolidation of the KMT along the lines of the Communist Party of the Soviet Union, establishing a Leninist party structure that lasted into the 1990s.

苏联顾问-最突出的人是俄罗斯鲍罗丁,代理人共产国际-开始抵达我国在1923年,以帮助重组和巩固国民党大致的联共,建立列宁主义党的结构,一直持续到20世纪90年代。

Its first movement, though played by Borodin for his musical friends, was never written down beyond a few fragmentary sketches prepared during his last school vacation.

其第一乐章,虽然是鲍罗丁为其音乐界的朋友而演奏的,但是除了他在学校最后一个假期中所写的一些片段的草稿外再没有进展。

The culminating work of the years spent abroad is the Piano Quintet in C minor, which illustrates several stylistic features that one meets repeatedly in Borodin's later music.

c 小调钢琴五重奏是他在国外的时间里的顶峰之作,它体现了鲍罗丁稍后期的音乐中反复出现的一些风格特征。

D. Calvocoressi (D1924–2) to accuse Rimsky-Korsakov and Glazunov of improperly rewriting Borodin's music after his death.

实际上,这些不同之处来源于1882年鲍罗丁在出版初稿时自己的修改。

Its third movement, the Nocturne, is one of Borodin's best-known compositions; his own instrument, the cello, takes the leading role in presenting this lovely tune, imbued with characteristics familiar in his lyric melodies.

其第三乐章,夜曲,是鲍罗丁最知名的作品之一。他自己的乐器,大提琴,在这优美的旋律的演奏中起主要作用,乐曲渗透着他抒情旋律中熟悉的风格。

Borodin's shortest orchestral work, the 'musical picture' In Central Asia , presents two distinctive tunes designed to combine with one another in counterpoint at the work's climax.

罗丁最短的弦乐作品,音画《在中亚细亚草原上》,展现了两个富有特色的旋律,它们在作品的高潮部分在对位上互相结合。

One year later Glazunov described the work he and Rimsky-Korsakov had done on Borodin's behalf (see Abraham, B1939, for a translation), and there the matter of text rested until the 1940s.

一年后,格拉祖诺夫描述起这部他和里姆斯基—科萨耶夫代表鲍罗丁创作的作品(见亚伯拉罕, B1939,作为翻译),而原文的问题一直遗留到19世纪40年代。

At that time he incorporated a few further refinements suggested by Rimsky-Korsakov, who, in his capacity as posthumous proofreader, also supplied the score's metronome markings, though these and Rimsky's tempo indications in the Andante may stem from the work's successful second performance, prepared by Rimsky-Korsakov under Borodin's supervision.

同时他还在里姆斯基—科萨科夫的建议下对作品进行了进一步的改良,而里姆斯基—科萨科夫作为遗嘱校对者也提供了总谱的节拍器标记,尽管这些标记以及里姆斯基在行板中的速度提示是源自作品成功的第二次演出,这次演出是里姆斯基在鲍罗丁的指导下完成的。

This circumstance, together with Rimsky-Korsakov's help in preparing such excerpts as the 'Polovtsian Dances' for concert performance in the 1870s, made him the clear choice to serve as Borodin's operatic executor.

这样一来,加上里姆斯基—科萨耶夫在1870年为音乐会准备了一些摘录如《波兰舞曲》,他决定成为鲍罗丁歌剧上的遗嘱执行人。

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