编剧

Circa August 1939 -- completely devoted to The Wizard of Oz, with articles revealing surprising insights from its producer, director, cameraman and scenarists.

珍贵的电影剧本研究中学版导读--卷五十二页(大约1939年八月)--来自制片，导演，摄影和编剧叙述《绿野仙踪》的艺术特色

Editor: Wang Riping, Lan Tian ; photographer: Chen Wentao.

编剧： 王日平，蓝天；摄影：陈文涛。

The writer/producers were eventually told ... The actress that play Dr. Tancredi isn't coming back ...

编剧和制片最终被告知……扮演Tancredi医生的女演员回不来了……动手吧。

Patrick Tam is better known today as Wong Kar-wai's mentor (Wong worked under Tam's wing as his scriptwriter on the 1987 Final Victory; and Tam edited Days of Being Wild and Ashes of Time) but he will be remembered for Nomad, one of the youth movies of the 80s that marry libertarian impulses with those impulses of social responsibility that somehow makes this an oxymoronic youth movie -- being heavy in the social and light in the libertarian.

谭家明，多数人都知道他是王家卫的导师（1987年谭家明拍《最后胜利》时，王家卫是他的编剧，谭家明也负责阿飞正传和东邪西毒的剪辑），但他的《烈火青春》，一部80年代年轻人在自由主义与社会责任之间迷惑矛盾的电影，应该永留史册。

Yellow journalist writer at play in Asia March 5 to see this on the blog saying:"The two candidates hesitation, this one is a 'juvenile Mei Lanfang', and the other is a well-known diver ."

记者在该剧编剧黄亚洲3月5日的博客上看到这样一句话：&在两个人选中犹豫，一个就是这一位'少年梅兰芳'，另一个是一位著名的跳水运动员&。

Everybody is in feel new edition gut, person while, do not know to have disclosure, this is known as break original pattern fining jade is set mode while, still added element of N much advertisement, let me must admire the playwrite, painstaking effort that directs to satisfy a sponsor expenditure, look take those assistance to expend a bit need not be irresolute when firmness is needed. The mobile phone that violet water chestnut of elder sister of 1 , rich wife and children uses 2, the dress that the youth in drama often wears 3, on that is glistening bead shade of violet water chestnut " stone ", these stone are right name brand 4, the car that when the girlfriend goes out to date, Chu Lian drives about asks infirmly infirmly, does Hunan handsome young man drive this kind of car really?

大家在感受新版剧情、人物的同时，不知道有没有发觉，此部被誉为打破原有琼式老套模式的同时，还添加了N多广告元素，让我不得不佩服编剧、导演为了满足赞助商而花费的心血，看来拿那些赞助费一点都不必手软了。1、富家小姐紫菱用的手机2、剧中的年轻人常穿的衣饰3、紫菱的那亮晶晶的珠帘上的&石头&，这些石头是真正的名牌货4、楚濂约女朋友出往约会时开的汽车弱弱的问一句，楚帅哥真的开这种车吗？

A blending with the opinions of the director and script-writer.

但是角色不是我一个人塑造的，它是导演和编剧意见的综合体。

The elaborate loop-the-loop plot structure cooked up by screenwriter Danny Rubin is crystal-clear every step of the way, but it's Murray's world-class reactive timing that makes the jokes explode, and we end up looking forward to each new variation.

在阐述循环半实物情节结构炮制了编剧丹尼鲁宾是水晶般清晰的每一步，但它的美利世界级的反应时间，使笑话爆炸，而我们最终期待着每一个新变化。

Initially she was cast in the pilot episode,"Batteries", as the child version of Sarah Silverman, and the writers liked her so much they brought her back for a larger role as a girl Sarah coaches to win a beauty pageant ("Not Without My Daughter").

开始，她在试播片『电池』中饰演儿童版的萨拉·斯尔弗曼，由于编剧都超喜欢她，所以就让她回来演了一个更大的角色，被萨拉训练来赢取选美盛会的小女孩（也叫Sarah，但不是她的女儿）（『Not Without My Daughter』）。

Story, Ossana shared it with her celebrated writing partnerLarry McMurtry Lonesome Dove, The Last Picture Show, Terms of

被 Annie Proulx 在1997年的小说所深深感动，Ossana 与她颇负盛名的编剧搭档 Larry McMurtry 分享这个故事。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。