绸缎

We have chosen duchess satin, taffetas and jacquard organza in ivories and pearly whites, said Westwood.

韦斯特伍德说&我们选择女公爵衣服上的绸缎，塔夫绸和花布织机织的丝绵薄纱在搭配上象牙和似珍珠的白色。&

It could keep the skin exquisite and lustering after continued using. Moreover, it has an anti-aging effect, so that Jane Seymour had gorgeous skin which attracted Henry deeply.

所以简·西摩长期使用后，身体如绸缎般光滑，体质像少女般娇柔；眼神如梦，吐气如兰，令亨利八世魂牵梦萦。

He is naked but the ribbons hide the intime parts of his body.

他没穿衣服但绸缎遮住了他的私密部位。

The sating feels smooth and soft.

这些绸缎摸起来光滑柔软

Weaver also Cecropin minutes from the sky to bring you and teach you, sericulture, silking, also produced by the silk-bright.

织女还把从天上带来的天蚕分给大家，并教大家养蚕，抽丝，织出又光又亮的绸缎。

The manchu times big jacket into people's clothes, whether rich or poor, they all wear robes of the difference between the richest man with ling luo silk garments are made on the poor man with smocks cut in clothes, in the early 1980s, the young people in both men and women wear bell-bottom became a different colour pants!

满清时代大马褂成了人们的便装，不管是富有还是贫穷都穿长袍，他们的区别在于富有的人用绫锣绸缎逢制衣服则贫穷的人用粗布剪载衣服，80年代初期年轻人穿起了喇叭裤，不管是男女都穿上了颜色不同的裤子！

The room, too, was different - no marble tiles, no thick silk curtains, no tooled leather chairs.

同样的，房间也不一样--没有大理石地砖、没有厚重的绸缎窗帘、没有雕花的皮椅。

The nationalist era female literary wunderkind Eileen Chang thought that if one wanted to reach an understanding of the culture of costume in ancient China not even the most leisured person in the most laid-back nation would be able to find the rules that governed it from a hundred similar patterns that never once repeat themselves, but through the ancient styles and taste that these clothes possess, appreciative Chinese persons of culture could, like her, imagine the ancients wandering in groves of bamboo, could touch their foreheads to embroidered brocades and be amidst walls hung with fine silks and satins. Compared to the straight cuts of Western dress, the cut and style of Han costume better suits the softer, willowier and plump forms of an Asian race. its lines have rhythm and vitality and a floating beauty.

在民国奇女子张爱玲的眼里，要领略古中国的衣服的文化，世界上最清闲国家里最闲的人也不一定能从一百种相仿而不犯重的图案找到规则，但通过那些服装的古意，有知性的中国文人可以和她一样，想到古人在竹竿与竹竿之间走过，把额角贴在织金的花绣上，两边是拦着绫罗绸缎的墙……与西式立体裁减制作的西装相比，汉服剪裁和造型手段适合黄种人相对线条柔和圆润的体型，呈现出总体线条气韵生动、流畅飘逸的造型美感。

How often I have heard his laughter booming in the shadow of my alcove and the grating of his nails on the silk curtain of my bed!

多少回我听见你的笑声在你床间的阴暗处回荡，听见你的指甲在我的床幔的绸缎上弄出窸窣的响声！

It is only with scent and silk and artifices that we raise love from an instinct to a passion.

只有用香水、绸缎和计谋，我们才能使爱由本能上升为激情。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失