维度

As one attunes themselves to the heartbeat of Earth, one will move in sync with the creative bursts and periods of assimilation that naturally flow as the creative energy ebbs and flows from your sun, and your sun's sun, and all dimensions within your creation that Earth is related to.

当你自己向地球的心跳调谐，你将进入与自然地流动的创造性脉冲和吸收期的同步中，因为创造性能量的起伏来自于你们的太阳、你们太阳的太阳和地球关联的你们造物内所有的维度。

The author limits the Lin Huiyin literature creation the history of literature value, simultaneously, the neglect which exists in view of history of literature writing in and camouflages the writer work some deficiencies to make a ponder, hopes for has a benefit to history of literature writing.

笔者从这些维度来界定林徽因文学创作的史学价值，进而还林徽因以客观的文学史地位；同时，针对文学史书写中存在的忽视和遮蔽作家作品的一些不足之处做一番思考，希冀对文学史的写作有所裨益。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

It is identical of conceptualized emotional intelligence structure and the degree of Questionnaire.

表明构想的初中生情绪智力结构与问卷的维度结构比较一致，证明根据情绪智力理论的划分有一定的科学性。

Taking human being conjoining education and technology as the theoretical grounds, the dissertation studies "technology in education" from ontology, axiology and process philosophy.

论文以&人：教育与技术的契合点&为依据，从本体论、价值论和过程论三个维度展开了对&教育中的技术&的思考。

In order to analyze the reason for a flawed Iraqi identity, this article delaminates the internal identity of Iraq to two levels——national and sub-national, further distinguishes familial identity, religional identity and ethnic identity on the sub-national level, and studies the relations between national and sub-national identities with looking back at the momentous events in Iraqi history, consequently finds the different influences that various of sub-national identities react on the formation of Iraqi national identity and how the discriminative internal policy intensified sub-national identities, and then builds a theoretical framework with two dimensions from upwards and downwards to explain the reason for unshaped Iraqi national identity.

为了分析伊拉克国家认同没有形成的原因，文章将伊拉克内部认同在国家和次国家两个层次上进行划分，并进一步区分了次国家认同中的家族部落、宗教派系、族群这三个认同类型，然后以国家认同和次国家认同的关系为切入点，研究了伊拉克历史上的几个重大事件，发现了各次国家认同对国家认同的形成具有不同程度的影响，其中族群认同对国家认同形成的破坏作用最大；与此同时，伊拉克前政府歧视性的内部政策强化了各次国家认同，是造成伊拉克国家认同没有形成的另一个原因，从而从上、下两个维度解释伊拉克国家认同未形成原因的理论架构。

In the first part, it mainly analyzes the research status at home and abroad and the related definition of some conceptions; also, it demarcates the connotation of non-governmental institutes from objective and process.

第一部分重点分析了国内外已有研究成果及相关概念的界定，从目标与过程两个维度界定民办高校内涵。

Material of a ship and bodies is dematerialized into a beam of energy and it is materialized again in a different time and space, in a different dimension.

物质飞船和消失的身体进入能量束而在不同的时空、在不同的维度内再次物质化。

Material of a ship and bodies is dematerialized into a beam of energy and it is materialized again in a different ti me and space, in a different di me nsion.

物质飞船和消失的身体进入能量束而在不同的时空、在不同的维度内再次物质化。

This is the relative effect of time and space on the different densities or dimensions of existence.

这是个时空在存在的不同密度或维度所产生的相对效应。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。