维度

There are three key points of innovation in this paper. 1.After analyzing Japanese corporate culture by Hofstede's theory of cultural dimensions, the paper analyzes the characteristics of communication in Japanese corporate. And by the background of the current Chinese situation and human nature, it further discusses the new needs of internal communication in Japanese companies in China. 2.According to the needs, the paper gives some new practical solutions such as to build the channels for communication on the"per-department"basis. Also, it testifies the necessity and feasibility of these solutions by a questionnaire. 3.The author uses the concrete analysis of K Co., one of her research projects, to draw implications for building the efficient internal communication.

本文在现有研究成果的基础上主要有三个创新点：一是通过霍夫斯塔德的文化维度理论分析了日本企业文化特点，指出了相应的日本企业内部沟通上的独特性，并基于中国现阶段人性特点，提出了在华日企不同于传统日本企业的沟通上的新要求；二是针对这些要求提出了建立以部门为基本单位的沟通渠道等一系列新建议，并用调查问卷的方式对这些建议和措施进行了必要性和可行性验证；三是将本文得出的研究成果应用于笔者所在的工作单位K企业，运用本文观点进行了具体的案例分析，并参与制定了加强和完善K企业内部沟通的策略和措施。

"" Post-theoretical age "of literary and cultural studies" research ideas from cultural theory to examine the dimensions of globalization in the "post-theoretical age" within the various cultural influence and role, the author believes that post-colonialism through the once - After the decline of the re-emergence: Said, Spivak and Bhabha The three representatives have issued a new book, making the academic study of post-colonialism and cultural identity, ethnicity, diaspora, and the phenomenon of globalization integrated, stuffed in some third world countries has played a nationalist sentiment.

"后理论时代"的文学与文化研究》的研究思路是从文化理论的维度来考察全球化在"后理论时代"的各个文化领域内的影响和作用，作者认为，后殖民主义经过一度式微之后再度崛起：赛义德、斯皮瓦克和巴巴这三位代表人物先后发表新著，使得学界对后殖民主义的研究与文化身份、种族问题、流散现象以及全球化问题融为一体，并在一些第三世界国家酿起了民族主义的情绪。

It has many new features, such as optical switching effect, thermoelectric effect, piezoelectric effect, sensitive effect, particularly in the area of biosensors.

纳米材料的一个研究热点是在两个维度上受限的一维纳米材料，它表现出不同于三维受限体系纳米颗粒的许多新特性，如光开关效应、热电效应、压电效应、敏感效应等，尤其在生物传感器领域具有广阔的应用空间。

What is it like? How can we possible compare it to the Third Dimension?

它像什么？我们如何能够把它与第三维度相比？

It means that one is no longer subject to time and space as known in the third dimension.

这意味着你不再受第三维度的时空所支配。

This is what the density of the third dimension is from, excessive numbers of serpents in the form.

这是第三维度致密的由来，形态中的蛇数量过多。

Start with the belief that there are two of you, two functioning bodies in the Third Dimension, the physical.

以有两个你的信仰开始，在第三维度，物质的两个身体运行。

Incomplete ascension causes a portion of the form to be left behind in the third dimension.

不完全提升导致形态的一部份被留在第三维度。

It was destined to be, unknown to those in Third Dimension but very well known to those at the soul level.

它是注定的，对那些在第三维度未知的但是对处于灵魂层面的那些来说非常清楚这个。

This article studies the key point is through sends the bank Dalian branch individual housing loan customer to the waters edge to pay off a debt the behavior present appraisal system question analysis, is clear about by the quantification primarily thought, proposed establishes the new system the principle, the model fuzzy mathematics theory, designs two dimensions, 15 targets, increase the confidence level computation function, according to the AHP law and the expert advice law assignment target weight, establishes the appraisal model, the division customer pays off a debt the behavior rank, sends the bank Dalian branch existing appraisal system to improve.

本文研究重点是通过对浦发银行大连分行个人住房贷款客户偿债行为现行评价体系问题的分析，明确以量化为主的思想，提出建立新体系的原则，借鉴模糊数学的理论，设计两个维度，十五项指标，增加可信度计算函数，根据AHP法和专家意见法分配指标权重，建立评价模型，划分客户偿债行为等级，对浦发银行大连分行现有的评价体系加以改进。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。