绝望的

Abandoned Masquerade －放纵的化妆 The glitters on a paint and plaster face Is covering desire and disgrace We could be lovers But no one suspect at all Once you're inside that costume ball And now I am sitting here before the mirror I have the skill still to disguise my tears Then as the music start to fade I find myself abandoning the masquerade Even though you are suffering You try to hide it And pretend you are so nonchalant You can cry a pool of tears And sit beside it Then perphaps you'll know what you want I hope you never feel this much despair or know the meaning of that empty chair As the illusion we made all fade away In this abandoned masquerade...

http：//www.ljplus.ru/img/virtualsushi/Masquerade-2.jpg Diana Krall - Abandoned Masquerade 放纵的面具音乐连接 Abandoned Masquerade －放纵的化妆词－ Engel Nimos 在现场和她一起表演的钢琴手］曲－ Diana Krall 闪光遮盖了浓妆艳抹的欲望和耻辱在化妆舞会里没人会怀疑我们是在偷情呆坐在镜前还有能力来掩饰我的泪等音乐消失的时候我正放弃着面具忍受着你尝试隐藏痛疼也假装你那么不在乎哭一池的泪吧。。。然后坐在旁边也许，你才会知道自己要的是什么希望你永不会有那么多的绝望感触或者你会了解那空椅的含义当我们曾经经营的幻相完全淡出于这被弃置的面具。。。

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

The obscurity augmented the acuteness of his hearing; at the slightest sound he rose and hastened to the door, convinced they were about to liberate him, but the sound died away, and Dantès sank again into his seat. At last, about ten o'clock, and just as Dantès began to despair, steps were heard in the corridor, a key turned in the lock, the bolts creaked, the massy oaken door flew open, and a flood of light from two torches pervaded the apartment. By the torchlight Dantès saw the glittering sabres and carbines of four gendarmes. He had advanced at first, but stopped at the sight of this display of force.

幽暗使他的听觉变得敏锐了起来，每有一个微弱声音传进这个房间，他就赶快站起来到门边，都认为是来释放他的，但声音又渐渐沉寂了，唐太斯只好颓然地坐在了他的木凳子上，最后，大约到了十点左右，唐太斯开始绝望的时候，一把钥匙插入了锁，并转动了一下，门闩嘎嘎地响了几声，那笨重的大铁门便突然打开了，两只火把上的光照亮了整个房间，借着火把的灯光，唐太斯看清了四个宪兵身佩闪光的佩刀和马枪，他迎上前去，但一看到这些新增的士兵便又停下步来。

Her skin is cold, and clammy; her eyes are the colour of sky, on the grey, wet days that leach the world of colour and meaning; her voice is little more than a whisper, and while she has no odour, her shadow smells musky, and pungent, like the skin of a snake.

绝望的皮肤是冰冷而湿粘的；她的双眼有着灰暗潮湿的、足以将世间的色彩与意义滤去的日子里的天空的颜色；她的声音很小，其音量只比耳语略大一些；虽然她自身并没有气味，她所投下的影子散发出一股刺鼻的麝香，让你联想起一条蛇的外皮。

"Hi we're Vespertine from Spain. We wrote this song "Hope Will Come for China…the earthquake which happened on May 12th has been a horrible tragedy, as we read on newspaper and saw on TV, that tens of thousands of victims have lost their home, their family including their own lives. the desperate faces of parents and the dead children…these images and photos have been haunting in our heads and we feel deeply sad and sorry for the victims especially the people of Wen Chuan… While the positive attitude and strong spirit of the victims and the way Chinese people help each other have shown us the most respective side of human race.

我们是来自西班牙的Vespertine乐队，此次专为中国创作了这首名为《Hope Will Come》的歌曲……5月12日的这场地震是一次惨绝人寰的悲剧，我们在报纸上以及电视上看到数万人流离失所，失去亲人甚至自己的生命，父母亲们绝望的面孔与不幸死去的儿童……这些画面与图片在我们脑海里始终萦绕不去，我们为受灾的人们感到深刻的悲伤与难过，尤其是汶川的人们……而与此同时，灾民们积极的态度与坚强的灵魂，以及中国人民团结起来相互帮助的事实让我们看到了人性最值得尊敬的一面。

"Hi we're Vespertine from Spain. We wrote this song "Hope Will Come for China… the earthquake which happened on May 12th has been a horrible tragedy, as we read on newspaper and saw on TV, that tens of thousands of victims have lost the ir home, the ir family including the ir own lives. the desperate faces of parents and the dead children… the se images and photos have been haunting in our heads and we feel deeply sad and sorry for the victims especially the people of Wen Chuan… While the positive attitude and strong spirit of the victims and the way Chinese people help each o the r have shown us the most respective side of human race.

我们是来自西班牙的Vespertine乐队，此次专为中国创作了这首名为《Hope Will Come》的歌曲……5月12日的这场地震是一次惨绝人寰的悲剧，我们在报纸上以及电视上看到数万人流离失所，失去亲人甚至自己的生命，父母亲们绝望的面孔与不幸死去的儿童……这些画面与图片在我们脑海里始终萦绕不去，我们为受灾的人们感到深刻的悲伤与难过，尤其是汶川的人们……而与此同时，灾民们积极的态度与坚强的灵魂，以及中国人民团结起来相互帮助的事实让我们看到了人性最值得尊敬的一面。

Beclouded THE sky is low, the clouds are mean, A travelling flake of snow Across a barn or through a rut Debates if it will go.

狄金森诗选某个阳光斜射的时刻某个阳光斜射的时刻在冬日的下午——让人抑郁，像沉重的教堂的旋律——玄妙地伤害我们——没有任何伤口和血迹却在意义隐居的深处留下记忆——没有人能够传达——任何人——它是绝望的印章——不可抗拒的折磨来自虚空——当它来时，一切都侧耳倾听——影子——屏住了呼吸当它去时，就像死神脸上遥远的谜——天低又复云暗，飞过雪花一片。

Yes, we do sorely need a system of production which will give us beautiful surroundings and pleasant occupation, and which will tend to make us good human animals, able to do something for ourselves, so that we may be generally intelligent instead of dividing ourselves into dull drudges or duller pleasure-seekers according to our class, on the one hand, or hapless pessimistic intellectual personages, and pretenders to that dignity, on the other.

是的，我们的确极需一个可以给予我们优美的环境、愉悦的居所的生产系统，它可以使得我们更象是万物之灵，它还可以使我们变得越来越睿智，而不至于因为阶级的缘故分化为迟钝的劳力者与轻浮的寻欢作乐者，或者是绝望的、厌世的、自视聪慧的社会名流以及觊觎高位的投机者。

While examining the history of this period, we cannot evade the tearful and helpless looks of the child brides; we cannot evade the plaintive and hopeless cries of the young girls suffering from phalanxes being broken through foot-binding; at the same time we hear the bugle call for-in in the military academies; we hear the Company Anthem of the Women's Detachment sung from the bottom of their hearts; we see the servicewomen laying aside their babies to catch up with the troops; and we see the heroines writing "The revolution is bound to succeed!" even behind prison bars......

考察这段历史，我们不回避童养媳那一双双忍辱含泪的目光；不能回避少女缠足折断趾骨时那一声声凄凉绝望的叫喊；同时，我们也听到了军校的集合号音；听到了那发自内心的《娘子军连歌》；看到了那丢下婴儿追赶队伍的女兵；以及铁窗里还在书写&革命必胜&的女杰……中国女兵在她的成立之初，不是一个职业的概念，也不是被人强迫的应证。

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way--in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only."

&这是最好的时代，这是最坏的时代，是智慧的时代，这是愚蠢的时代，这是时代的信仰，这是划时代的怀疑，这是光明的季节，这是黑暗的季节，这是春天的希望，这是绝望的冬天，我们都摆在我们面前，我们没有任何关系摆在我们面前，我们都将直接向天堂，我们都将直接的其他方式，在短期间，是迄今为止像本期间，它的一些噪音当局坚持其正在收到良好的或邪恶的，在高级程度的比较只。&

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。