绝望的

He has been in the abyss of despair.

他已陷入绝望的深渊。

He is plunging into an abyss of despair.

他陷入了绝望的深渊。

Be about to do let " the 2nd " the first acedia?

欲做让"第二名"绝望的第一名？

When I am the most acedia, if I leave this world,I once thought of, trashy what is troubled and cared.

在我最绝望的时候，我曾经想到假如自己离开这个世界，是不是就没用什么烦恼和牵挂了。

Taking acedia heart, commit suicide of her hang oneself.

带着绝望的心，她上吊自尽了。

If there are any barbarians left alive, they must truly be without hope.

如果还有野蛮人活着，那么他们一定是绝望的。

Li Xinguang ana: The person is in when be in despair, total meeting has idea, I do not believe I can move toward a blind alley.

李新光语录：人在处于绝望的时候，总会有办法，我不相信我会走向绝路。

Hopeless hope is the nothingness beyond an equation mark.

绝望的希望，便是等号之后一片茫茫。

In her stream of consciousness short story "The Jilting of Granny Weatherall", through the creative employment of a series of light, color and shadow archetypes, character archetypes and theme archetype from the Holy Bible, Katherine Anne Porter reveals the theological and philosophical theme of the story: in modern Western society where religious belief has collapsed, disoriented and despaired man chooses to become the determiner of his own life by tak ing free action after despair.

摘要在意识流短篇小说《被遗弃的韦瑟罗尔奶奶》中，凯瑟琳·安·波特通过一系列光色影、人物以及主题的圣经原型的创造性运用，揭示了小说的宗教哲学主题：在宗教信仰动摇的西方现代社会，迷惘绝望的人用绝望后的自由行动书写属于自己的人生。

Both works are the literature expositions of the existentialism,but the keynotes of the two works are absolutely different,one being gloomy and desperate,and the other being bright and full of indomitable spirit,which can exactly represent the two extremes of Sartre's thoughts.

虽然都是作为存在主义哲学思想的文学阐释，两部作品的基调却完全不一样。前者充满了沉重的压抑感，后者却洋溢着高昂的激越感；前者充满了绝望的悲观主义，后者却在绝望中产生了勇于介入的力量。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。