络腮胡子

The wig and beard are made of yak hair.

假发和络腮胡子是由牦牛的毛做的。

Even Redbeard would have agreed.

红络腮胡子甚至也会同意这一点。

The rebs' loyalty was misplaced, but Redbeard said such loyalty was honorable, and made their future conversion all the sweeter.

叛军将自己忠诚用错了地方，但是红络腮胡子说，这样的忠诚是光荣可敬的，并使他们的未来终酿甜果。

Plenty of politicians wanted to burn the Bible Belt down to the dirt, but Redbeard bellowed them into silence.

好些政治家想要把圣经地区夷为平地，但是红络腮胡子对此暴跳如雷，他们便不再作声了。

Built like a bull, with angry eyes and a beard the color of a forest fire… no wonder Redbeard's enemies were scared of him.

他体格壮硕如牛，双眼怒气冲冲，胡子红如如森林烈火。红络腮胡子的敌人不怕他才怪。

It passed statelily up the staircase, steered by an umbrella, a solemn beardframed face.

他用雨伞开路，庄重地踏上楼梯，长满络腮胡子的脸上是一派严肃神色。

She had her picture taken with Tony, owner of her lake, who confessed to the Wall Street Journal that he had "quite a rapport" with her; with Ray, who caught her at two in the morning, disturbing her beauty sleep; with Matt, of the shy smile and the woolly hat; with bearded Kyle, for whom she looked especially dark and pouting; and with Steve, who ungallantly told Peterborough Today that she felt like "a sack of potatoes" and was "available to everyone".

她和这湖的主人托尼合过影，后者曾有些矜持地向《华尔街时报》袒露过内心，认为自己和这条鱼心有灵犀；还有和雷的合影，这人在凌晨两点捉住她，搅了她的美梦；还有带着绒线帽，笑得腼腆的马特；还有留着络腮胡子的凯尔，合影照上本森撅着嘴，面色难看；还有史蒂夫，他对《今日彼得伯勒报》说本森拿起来像&一袋土豆&，并且&她属于每个垂钓者&，这话说得毫无风度。

The door opened and out came a tall, whiskered man.

门开了，出来一个大个子满脸络腮胡子的人。

They all saw it this time, a whiskered furry face which had looked out at them from behind a tree. But this time it didn't immediately draw back.

这一次他们都看清楚了，一张长满了络腮胡子的毛茸茸的脸，从一棵树后面探出来看着他们。

He is a broad-shouldered and big faced stout guy with thick whiskers.

他是一个宽肩膀大脸盘身材结实，长着浓密的络腮胡子的家伙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。