络腮胡子

He was a mesosoma civilian, so fat, potbellied, maintenance is great.

他是一个中等身材的文官，长的相当胖，大腹便便，保养的级好，脸上留着络腮胡子，嘴上却不留唇髭。

The voice of a"ranter" triumphantly consigning a barnful of rustics to eternal damnation caused Tess to pause a moment in a doorway, and there on a platform of corn-bags, in sanctimonious sidewhiskers and semi-clerical blacks, stood Alec D'Urberville.

一个口出狂言者得意洋洋地骂一仓房的庄稼汉万劫不复的声音使苔丝在仓房门口停了一会儿。那里麦包垒成的平台上站着亚历克·德伯，他留着假装神圣的络腮胡子，穿着半牧师式的黑服。

And at last I could see nothing beyond his ear and the frayed ringlet of one whisker .

到最后，我只能看到他的一只耳朵和一络络腮胡子。

Would you like me to shave off your beard?

要我把您的络腮胡子刮掉吗？

At last, prowl ing London streets and make desperate by his plight, he had gone to a shop selling the atrical supplies. There he had stolen the dark glasses, side-whiskers, and clothes he wore onhis arrival in Iping.

最后，当他悄悄地徘徊于伦敦街头，被这种困境弄得走投无路时，曾经去一家出售戏剧用品的商店，偷走一副墨镜，一副假络腮胡子和一些衣服，他穿戴着这些服饰到达了伊平。

I wondered what he would say to a Southern Democrat with Elvis sideburns.

这次不知父亲又会给这位蓄着和猫王一样的络腮胡子的民主党南方佬出什么难题。

Fauchery chuckled as he looked at the count, whose face, with its fringe of whiskers and absence of mustaches, seemed to have grown squarer and harder now that he was busy quoting figures to the writhing, struggling Steiner.

伯爵的脸上留着络腮胡子，上唇上却不留小胡子，脸显得更方了，这时，他把次数都报给了斯泰内，神态很冷漠，斯泰内在竭力反驳他的话。

Ah, it became a giant with heavy side whisker s .

哦~这次又变成个络腮胡子的巨人了。

An old man with a beard and a white-faced woman lived there.

一个留着络腮胡子的老人和一个脸色苍白的女人住在那儿。

Well might tables and chairs be upset, and glass and china be sent crashing on the floor, in the panic of that terrible moment when the four Heroes strode wrathfully into the room!

力大无穷的獾，络腮胡子根根倒竖，手中的大棒在空中呼呼挥舞；脸色阴沉严峻的鼹鼠抡着木棒，高呼令人胆寒的战斗口号：鼹鼠来了！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。