绘画颜料

Home, I carefully prepared drawing tools, and clean up in neat colorful paint.

回到家，我精心地准备好绘画工具，并将五颜六色的颜料收拾地整整齐齐。

"Pastel :Drawing medium consisting of fragile, finger-size crayons called pastels, made of powdered pigment s combined with a minimum of nongreasy binder (usually gum tragacanth or, from the mid-20th century, methyl cellulose)."

粉彩笔：一种易碎、如手指粗细的绘画粉笔，采用粉状颜料与最低量的非油脂胶调制而成(通常是用托拉甘树胶，从20世纪中叶起，改用甲基纤维素调制)。

"Pastel :Drawing medium consisting of fragile, finger-size crayons called pastels, made of powder ed pigments combined with a minimum of nongreasy binder (usually gum tragacanth or, from the mid-20th century, methyl cellulose)."

粉彩笔：一种易碎、如手指粗细的绘画粉笔，采用粉状颜料与最低量的非油脂胶调制而成(通常是用托拉甘树胶，从20世纪中叶起，改用甲基纤维素调制)。

"Pastel :Drawing medium consisting of fragile, finger-size crayons called pastels, made of powdered pigments combined with a minimum of nongreasy binder (usually gum tragacanth or, from the mid-20th century, methyl cellulose)."

粉彩笔：一种易碎、如手指粗细的绘画粉笔，采用粉状颜料与最低量的非油脂胶调制而成(通常是用托拉甘树胶，从20世纪中叶起，改用甲基纤维素调制)。

Venetian painting had long been characterised by its jewel-like colour—obtained by grinding coloured glass and minerals such as lapis lazuli into the pigments—but now it was applied in a way that gave art the kiss of life.

威尼斯的绘画因其珠光宝气的色彩而长期以来独树一帜，这些色彩的颜料中添加了碾碎的玻璃和诸如青金石的矿石。但现在它们被以全新的方式运用，给艺术一个生命之吻。

As a consequence, philosophers like Leibnitz began to appreciate Confucian ideals, just as artists in India learned to paint with European colors and perspectives.

因此，才会出现德国哲学家莱布尼兹开始喜欢儒家思想，印度的艺术家开始采用欧洲颜料和透视的方法绘画。

It is unique to China, brush, ink and paint, in accordance with long-established form of expression and artistic rules and create paintings.

它是用中国所独有的毛笔、水墨和颜料，依照长期形成的表现形式及艺术法则而创作出的绘画。

No pigments, paints, dyes or stains have been found on the fibrils. X-ray, fluorescence and microchemistry on the fibrils preclude the possibility of paint being used as a method for creating the image.

在被检测的哪些布样里面中，没有发现任何颜料，色彩、或染料、或污点的遗留。X光探测，荧光测试、或微量化学测试，排除裹尸布上的形象，是以绘画手段创造出来的可能性。

Lacking surplus money for paintbrushes, pigments and papers, he picked up what other students discarded.

没有多余的钱买绘画的画笔、颜料、纸张，就捡学生丢弃的。

For painting, you'll need an easel, some canvases, a palette, paintbrushes, and of course a smock to keep your clothes from getting paint on them.

如果是绘画用品，您需要一座画架、一些画布、一块调色板，画笔，当然还有工作服，以免颜料沾在您的衣服上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。