绘画颜料

Cy Twombly uses a combination of charcoal, colored pencils, chalk and oil paint in his works; sometimes he also incorporates wavy, flowing, scribbled text. But Ye Yongqing uses an "eyebrow pencil" to portray abstract lines and points to form a poetic visual language. His latest paintings further expand on this. He created seven abstract paintings of an identical composition, method, symbol and style entitled Broken - Heart. These paintings vary in either background color or color of the lines.

汤布里在绘画中并用炭笔、彩色铅笔、粉笔和油画颜料，还借用文字抽搐涂抹飞动书写，而叶永青的绘画则用"眉笔"一点一划描绘出抽象的线条，构成了诗意的视觉语言，尤其是他最近的绘画把这样的观念性做了进一步延伸，他完成了七幅同一构图、同一方法、同一符号、同一风格的抽象绘画《伤·心》，它们的不同表现为：要么每一幅画中的底色不同，要么每一幅画中符号描绘的颜色不同。

In painting she tries all kinds of methods – including chickens, watermelons, bad taste, dirty paint, wisecracks, the mundane, commercial paintings, pretense, cheapness, clumsy imitation, girlishness, etc – to make a mockery of painting.

于是，绘画在自嘲中获得了解脱，对，在绘画中想尽各种办法——包括鸡、西瓜、坏趣味、脏颜料、插科打诨、俗、行画、装腔作势、廉价、幼稚的模仿、小女人气等等——来嘲笑绘画，这正是段建宇使绘画获得自由的办法。

A heavy white poisonous powder, essentially basic lead carbonate, used in paint pigments.

铅白一种白色有毒重粉末，用于制造绘画颜料必不可少的基本碳酸铅。

Leather bookbindings, pigments for paints and majolica (white-glazed pottery) all came from the East, although the Venetians never succeeded in imitating the perfect ruby glaze of Iznik pottery.

皮面图书装订，绘画颜料和珐琅陶器都是来自于东方，虽然威尼斯人未能成功模仿依兹尼克瓷的完美宝石红釉。

Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer's ink.

从那惨痛的悲剧中你可以嗅到与之如影随形的责任，而其中汩汩的血水，我们却当成是绘画颜料的色彩

The skillful application of various materials and the updating of the treatment approaches become a new form of expression as well as one factor enlightening the artist: the painting pigment for Zangzuxiangba adopts the natural ores and plant raw materials which is produced on snow-covered plateau and characterized by pure color, high quality, good light fastness, strong weather resisting property, fast coloring and gorgeous but not ordinary hue; the paper for Zangzuxiangba is Tibetan paper taking radix stellerae chamaejasmes and agilawood produced on snow-covered plateau as raw materials and manually manufactured by scores of procedures, thus having such properties as corrosion protection, mothproof property and dampproof property.

同时，藏族祥巴在颜料和用纸应用上也不断探索和创新，其对各种材料的巧妙应用和处理手法的更新，不仅成为一种新的表现形式，也成为启迪艺术家创作灵感的因素之一：藏族祥巴的绘画颜料采用产于雪域高原的天然矿、植物原料，色泽纯正、品质优异，耐光极佳，耐候性极强，具有色彩历久不褪、色相艳而不俗的特点；藏族祥巴的用纸是用产生高原雪域的瑞香狼毒、沉香等为主要原料，经数十道工序手工制作而成的藏纸，具有防腐、防蛀、防潮的特性。

Attempt of diversiform skill: Combined creation of graphic arts, painting, and the painting of embossment; on the technic aspect, he use the computer imitational pattern, piece together ＆ stick, production of mold, corruption of metal board, and handed painting ; on the aspect of colors, he also use the "industrial" colors on painting.

技法多元化的尝试：版画、绘画及浮雕式绘画并行创作；在技法上，运用电脑模拟图样、拼贴、模板制造、金属板腐蚀及徒手涂绘等方式创作；在颜料使用上，亦采用「工业性」颜料涂绘。

In the subtractive process, colors are produced when dye (as in paint or color photographic materials) absorbs some wavelengths and so passes on only part of the spectrum.

而在减色法中，染料(比如在绘画颜料或彩色照相材料中)吸收了部分波长而只答应分光谱通过，从而产生各种色彩。

In the subtractive process, colors are produced when dye (as in paint or color photographic materials) absorbs some wavelengths and so passes on only part of the spectrum.

而在减色法中，染料(比如在绘画颜料或彩色照相材料中)吸收了部分波长而只允许分光谱通过，从而产生各种色彩。

In the subtractive process, colors are produced when dye as in paint oronly part of the spectrum. The subtractive primaries are cyan

而在减色法中，染料(比如在绘画颜料或彩色照相材料中)吸收了部分波长而只允许分光谱通过，从而产生各种色彩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。