绘画的

Linear perspective dominated Western painting until the late 19th century, when Paul C zanne flattened the conventional picture plane.

直线透视法在西方绘画中持续到19世纪末，直到塞尚将文艺复兴传统的画面空间平面化为止。

Traditionally, this technique produces shaded line art illustrations in drawing or painting, in addition to being a printing and printmaking technique.

传统上，这种技术最先进的生产线阴影绘制插图，或绘画，除了作为一个印刷和版画技术。

Now she draws with a needle and thread, little knotted rosebuds,tulips made of silk thread.

现在她用针和线来绘画，用丝线绣出带点刺的玫瑰花蕾，还有郁金香。

In ecclesiastical art, an Agnus Dei is a representation of Jesus as a lamb bearing a cross.

在宗教艺术中， Agnus Dei经常被绘画成一只承担著十字架的小羊。

The most important and expensive 'art' during this period was not paintings but textiles, jewelry and costume.

这里有最重要和最昂贵的'艺术'，可是在文艺复兴运动之前英伦则几乎没有绘画，但纺织品，珠宝和服装却早已盛行。

Her art takes the form of drawing, printmaking, sculpture, photography, books, performance, sound, video, jewelry, and costume design, among others.

她的艺术形式有绘画，印数品，雕塑，摄影，书籍，表演，声音，录像，珠宝，和服装设计以及其他种种。

Boccioni and Carra made contact with Cubist painting in 1911, first through publications, then on an autumn trip to Paris under the guidance of Severini.

boccioni卡拉胶进行了接触，并于1911年的立体派绘画，首先通过出版物、然后在秋天前往巴黎Severini指导下。

Verrocchio was primarily a sculptor,but like most sculptors of the time he also painted.

委罗基奥主要是个雕塑家，不过和这个时期大多数的雕塑家一样，他也绘画。

"Rubens, Van Dyck, And The 17TH Century Flemish Painters"

&7。 十七世纪佛莱明派的绘画艺术&

The art development of Giorgio de Chirico is divided into seven periods : art cultivation、exploration、space consciousness、geometric architecture、return classicism、dualism and classical consciousness , which described the style transformation of Metaphysical painting .

本研究将基里诃一生艺术发展归纳为：艺术孕育期、创作探索期、空间意识期、几何建筑期、回归古典期、二元对立期和古典意识期等七个分期，来阐述「形而上绘画」的形式风格转变。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。