绘画的

Physical, gestural, component of painting is equally important as tactile, sensual, ethereal almost spiritual.

在绘画中，触觉、感觉和精神因素与身体、姿势的因素一样重要。

Montes Claros' administration through the municipal culture secretary and Brazilcartoon, opens the International Godofredo Guedes' Centenary Caricature Contest in homage to the important graphic artist and instrumentist, composer and instrument fabricant.

蒙特斯克拉罗斯'政府通过市级文化秘书和Brazilcartoon ，打开了国际戈多弗雷多格德斯'百年漫画大赛中表示敬意的重要绘画艺术家和instrumentist ，作曲家和文书法布里坎特。

The Blue Men spent the summer of 1969 painting and jamming with Joni Mitchell in Paris.

1969年的暑假，蓝人组与琼尼蜜雪儿在巴黎一起从事绘画工作。

Meanwhile they spare no efforts to show the leisureness of cultural tendency in the new century.

人民艺术创作出现精神饱满、爱憎分明的&优秀&绘画特征。

It seems there are still more paintings adorning the Lyonnais streets, and I will certainly be on the lookout 7 for them on my next visit.

里昂城里似乎还有很多装饰着大街小巷的绘画，下次拜访时我一定会找到它们。

Along with the above listed painting tools, it has stencils and rulers, metallics, and tracing images.

随著上述所列的绘画工具，它已模版和统治者，金属，及追查图像。

In the area of musiclike singing or playing an instrument, art(like graphic design, cartoon drawing,cooking, maths science, sports and………..

在生活的每一个方面，歌唱，演奏，设计，绘画，厨艺，数学，运动，try it，女儿！

Mysore Painting is a form of classical South Indian painting, which evolved in the Mysore city of Karnataka.

麦索绘画是南印度卡纳塔克里麦索城市的一项经典画作风格。

A coruscating efflorescence of style, technique and vision, Renaissance paintings borrowed heavily from the onrushing spirit of scientific enquiry during the times.

coruscating开花的风格，技术和视野，文艺复兴绘画借来大量来自onrushing科学精神询问时并进。

In the pank, you can see tock paintings, besutiful old trees, ricers and mountains.

在公园里，您能看tock 绘画、美丽的老树、山和水。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。