绘画的

With these methods, Peng creates a personal and stylized art of painting for us.

彭麒用这些方法为我们创造了富有个性特征和风格样式的绘画作品。

Extra tools and painting materials will have to be supplied by the Do It Yourself Sunroom Plans homeowner.

额外的工具和绘画材料都必须由自己去做sunroom图业主。

Traveled to Taiwan, Hong Kong, Singapore with solo exhibitions in 1949. Traveled again from Hong Kong to Indonesia in 1950, created plenty of landscaping and still life drawings in the peak of his career. Returned to China in 1959. Teacher of Shanghai Art College, member of Shanghai Oil Paintings and Sculptures Studio in 1965. Syndic of Shanghai Art Association, Shanghai Culture Committee, Shanghai Jiaotong University Art Consultant.

先后在上海美专、新华艺专、杭州艺专执教。1949年间赴台湾、香港、新加坡旅行写生并举办画展。1950年由香港赴印度尼西亚，在那里创作了大量风景和静物画，那时可说进入了他的艺术鼎盛期。1959年离开印度尼西亚回国，到上海美术专科学校任教，1965年在上海油画雕塑创作室从事绘画创作。

The Tate Gallery has a fine collection of modern pictures.

塔特美术馆收藏了一批很好的现代绘画。

Bergman\'s allegiance was to theatricality, and he was also a great stage director, but his movie work wasn\'t just informed by theater; it drew on painting, music, literature and philosophy.

Bergman 钟爱戏剧，他也是个伟大的舞台剧导演，但其作品并非仅来源于戏剧。他取材于绘画、音乐、文学和哲学。

Thusly: one of the paintings would eventually have to be returned to the exhibit at some point.

正是如此：因为一些问题最终要归还给参展中心的绘画之一。

These defines the basic tone of his pictorial language.

这些确定了他绘画语言的基本面貌。

So that "art and decoration" would be "just one and the same thing", he studied architecture and saw how painting can transfigure it.

因此，"艺术与装饰"将是"只有一个，同样的事情"，他学习建筑和绘画可以看到如何transfigure它。

The trompe l oeil is no longer confined to painting.

视觉画派不再被限制在绘画上，像同时代的灰泥，能用来做任何事，模仿任何东西。

I decided to cross and have a close look, and quite soon, I discovered that the entire 7-storey building was painted all around and was, in fact, one large trompe l'oeil.

我决定走过去近距离观赏一番，但很快就发现，这幢七层大楼整个被绘画覆盖，而它本身实际上就是一幅巨大的错视画。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。