绘画的

Therefore, what I try to concentrate on is producing works, based on traditional Korean subject matters, India ink painting techniques and the five primary colors mentioned above, that contain both the flexible spiritual depth and dynamic structural scales of India ink painting, and is acquiring the aesthetic grandeur of the traditional styles of painting and what a modern painting should be.

因此，我试图在我的创作中，以韩国的传统题材为基础，将东方的水墨画技巧和上述5种主要色彩融合，使得作品即包含水墨画灵动深广的气韵，又富有传统绘画的华丽风格，还包含现代绘画应有的审美元素。

This paper analyzes related cultural background of this phenomenon including the challenge of popular culture and mass media to contemporary art, the macroclimate of global painting with cartoon style, the cartoon plot of the creative body and the inheritance and developing rule of the oil painting development.

本文就这个现象剖析了相关的文化背景诱因，包括现代流行文化和大众传媒对于当代艺术的挑战、全球卡通式绘画的大气候、创作主体的卡通情节和油画发展本身的继承和发展规律，也从题材、语言、艺术处理手法等方面分析了这种绘画的风格特点。

Vis-a-vis the modernist and postmodernist dogmas in regard to painting, Marden let the world in again by bringing together different pictorial cultures into the indisputable space of the picture plane.

相对於现代主义与后现代主义对绘画的教条，马登将不同的绘画文化放在不容质疑的画面空间，将世界的内容再度引进艺术的范畴。

Is painting had realistic model. The vividness in figure painting, brightness of still-life and splendor of landscape painting formed his style as a whole, which showed some kind of oriential feelings.

在日本5年的学习经历，使他有机会看到东西方绘画的原作，各类展览成为他细心品味艺术作品的良机，特别是当代日本的设计对他绘画的影响很大。

But China's new expressionist painting has a tortuous process of development, the paper with the history of China, the new steps expressionist painting the generation and development of some preliminary discussion.

不过中国的新表现主义绘画却有着一个较为曲折的发展过程，本文跟随历史的脚步，就中国的新表现主义绘画的产生、发展作一些初步的探讨。

China's new Expressionist painting has a more tortuous development process, this article the historical background from its start focusing on the performance of China's new art of painting for a number of characteristics.

摘 要：中国的新表现主义绘画有着一个较为曲折的发展过程，本文从它的历史背景着手重点对中国的新表现主义绘画的艺术特征作一些浅析。

When first into contemporary art, he found his love in expressing ability of painting or pure pursue of a formalistic aesthetics.

舒勇在刚接触美术的时候，很迷恋于绘画的具象能力，或者是它的形象性，在刚接触当代艺术的时候他喜欢绘画的表现主义能力，或单纯追求一种形式主义的美感。

He loves painting; his water-color painting is a kind of his living records.

他热爱绘画，他的水彩画作品就是他的一种生活状态的记录，他在自然真情的表现中，形成了一种个人表现技巧与情感色彩，在水彩画的创作过程中体验生存与绘画的快乐。

While he has few peers in portrait painting, where his commissions read like a Who's Who of corporate North America, Mr. Angel's real passion is painting myths and allegories.

虽然他很少同侪的肖像绘画，他的委员会阅读就像一个谁是谁的公司北美先生，天使的真正激情，是绘画的神话和寓言。

And traces in their rough-style paintings. Their paintings also assimilate some features and techniques of folk embroidery and paper cutting. With their simple, new and fresh style, these paintings have become a flouring and charming part of folk art.

20世纪五十年代中国新农民文化运动蓬勃发展，陕西一批喜欢绘画的农民拿起画笔，以朴素的绘画语言，描绘自己新的生活，其风格粗犷中蕴含着细腻，作品溶进了民间刺绣和剪纸的手法，质朴清新，成为民间艺术艺苑中的一株奇葩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。