绘画的

The article is about the practice and theory of French landscape architect and artist Bernard Lassus. He has studied painting, absorbing alimentation from painting, and accordingly gained the new design elements. So his works are artistic. He pays more attention to the historical factor. He also emphasizes the creativity of space and the relationship of landscape and people in the space.

摘 要：简要介绍法国风景园林设计大师和艺术家伯纳德·拉索斯设计的实践和理论，他曾学习研究过绘画，从绘画的语言中吸取养料，从而获得新的设计语汇，所以，作品富有艺术性，注重场地的历史因素、空间的创造和场地中人与景观的关系。

The animateness of the citizen stratum adds vitality to the town's culture and aff...

因此，期间对于绘画需求量的增加，服务对象的扩大，就无疑给绘画的发展提供了雄厚的物质条件和群众基础。

On one hand, visual art comes from nature, such as Giotto in the early period of the Renaissance; on the other hand, the characteristics of visual art are independent from the nature in terms of the factors and self-determination of painting.

我所认为的视觉艺术，它的特点在于一方面它来源于自然，比如说文艺复兴前期的乔托，另一方面，在绘画的因素、绘画的自主方面又大大独立于自然。

Till the boom of Modern Art, the characteristics of painting itself, planarity, has been brought back, which topple down the space consciousness of the traditional painting.

现代艺术的兴起使绘画重新回归了自身的特点，就是它的平面性，这对传统绘画的空间意识是一个颠覆。

From their creation to acceptan ce by the viewers, works of painting have their own unique existence.

绘画的创作到作品的产生直至作品的接受，是绘画作品独特的存在方式。

To work consciously with concepts ultimately makes one proactive in one's approach of rhetoric. In another word, when painting becomes a problem, everything about painting will not be taken for granted. Many factors, including material, size, painting strokes, visuality, icon, image, narrative, taste, style, etc, should be examined under a new light in their new identities as rhetorical means.

观念的自觉必然会带来修辞的自觉，换句话说，绘画成为了一个问题，那么关于绘画的一切都不再是理所当然，包括材料、尺寸、笔触、视觉、图像、形象、叙事、趣味、风格等诸多的因素就必然要被重新审视，并进而被视为各种修辞手段。

Kodda - Metamorphy Kodda is a nomad in a digital matrix; he plays with his brushes as he produces music and paintings - distorting time, sampling a color, a texture, a gesture, and blending them with the constant ebb of influences fed to himself to create a "unique and polyphonic" interpretation of modern painting.

Kodda是一个数字矩阵里的流浪者，他玩音乐和绘画的同时也挥动着画笔-改变时间，尝试一种颜色、一种质感、一种姿态，并将它们与不断围绕着自己的低潮混合在一起，对现代绘画诠释出一种&独特而多声部&的全新演绎。

Wang yifan's body of work challenges the fashionable materials among china's avant-garde by debasing them to their lowest form.

王一凡的作品是对主流绘画模式的一种挑衅，他极大的贬低了对于传统意义上&绘画&的重视和强调。

Wu Mingzhongs painting has some sort of intermixed characters, so it is difficult to define the attributes of its style, which undoubtedly represents a sort of mood of new painting in 21st century.

武明中的绘画具有某种混杂性的特质，也就难以界定其风格的属性，这无疑代表了进入21世纪新绘画的一种情绪。

Wu Mingzhong's painting has some sort of intermixed characters, so it is difficult to define the attributes of its style, which undoubtedly represents a sort of mood of new painting in 21st century.

武明中的绘画具有某种混杂性的特质，也就难以界定其风格的属性，这无疑代表了进入21世纪新绘画的一种情绪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。