绘画的

However, viewing Schnabel's works from a museum's perspective, we will pay more attention to the originality and freshness he contributed to the practice of painting. As said in some reviews, although a bit exaggerated,"he saved American painting, that was caught up in a 1970s recession, almost entirely by himself."

可要是从美术馆的角度来看施纳贝尔的创作，我们则更为关注他在绘画方面的实践给这个领域带来的新鲜空气与强烈的刺激，就像有些评论略显夸张地称道的那样，"他几乎单枪匹马地把绘画从美国70年代的萎靡不振中拯救了出来。"

There's no problem with transformation itself, however, when artists just see the surface of those scientific problems and try to prove the truth of what they saw through paintings, the concept will turn into textuary science in the process of transformation, meanwhile, the painting will become passive and attaching help text for knowledge propagation.

转向本身并不存在问题，但如果艺术家只认识到其它学科问题的表层，并试图用绘画来证明所见所知的真实与正当，使得观念在转化的过程之中变成了文本式的科学，那么绘画在此时变成一种被动的、附属的、用于传播知识的文字说明。

When the contemporary painting keeps being encroached by other media arts and lost its self-expressiveness,"TA MEN" adopt a new narrative mode in their paintings, which renders direct harmony between the visuality of picture and the concept of art.

在当代绘画不断遭受其他媒体艺术的侵犯而失去自我表现力的时候，"他们"的绘画采用了一种新的叙事方式，使画面的视觉性与艺术的观念形成直接的默契。

Dyce life underwent a radical social change after the industrial revolution; his concerns regarding the cultural, religious values in the transitional society made his works significant when it comes to the Victorian paintings.

戴斯生逢工业革所伴随而来的时代巨变，体察工商业文化下的社会、宗教等价值变迁，作品强调反映当时的宗教境况，重视绘画精神性与教化功能，是以让他的绘画能在性灵匮乏的年代提供抚慰人心的功用，也因而使他跻身维多利亚时期的重要艺术家之林。

According to the textual research of such scholars as Qigong,"lijia" means the person who is laic, non-professional and unskillful. Thereby,"lijiahua" can be regarded as this kind of painting. Qian Xuan and Zhao Mengfu compared the "lijiahua" with "intellectuals painting", and the intellectuals refer to the officials in the government.

按照启功等前辈的考证，&戾家&意指外行的、无师承的、非专门的、不精通的人，&戾家画&可指为脱略常法、无师承、有违绘画法则的画作，是一种业余水平的绘画；钱选和赵孟頫将&戾家画&与&士夫画&想对应，&士夫&应指在位的文人官僚。

In the modern painting, it abandons all the uncreative copy of the nature and the pure purchase of the unloving, and uses the original simple emotional form of painting to call up the eternal and pure emotion of the human race.

现代绘画中摒弃一切没有创造性的对自然的照抄和没有生命力的单纯的形式追求，用有着原始的朴素情感意味的绘画形式必将唤起人类永恒的、纯洁和高尚的感情。

In the design aspect, besides maintained the smooth line of cheongsam,clothing design masters retained its rigorous structure, do not have any nonessential accessories such as belt, button-fastening loop, appendix bag and so on; in craft aspect,abbreviating the shoulder part, useing the decoration flower and embroidery, all these things enhances the skin texture effect;structurally, not only adopting the pipa front, the pleasant lapel, the low lapel, the hich collar, the low collar,even on collar, but also involving its sisters art ,such as drawing, to make decorations for cheongsam.Those cheongsam on which drown flowers, birds, and makeups in Peking opera,are exotic and elegant. Graft the drawing onto the clothing design and improve the originally structure which is insufficiently comfortable,the new style cheongsam become a marvellous achivement on the international clothing stage Moreover, the production technology innovation, the technical process improvement, the new material use, all of these has poured the new blood into the Chinese dress development.

在款式方面，除了保持旗袍流畅的线条外，服装大师们在设计剪裁时，保留旗袍结构严谨，线条流畅，没有任何不必要的带，袢，袋等附件的特点；在工艺上采用收肩，饰花，穿珠片，刺绣等手法，加强肌理效果，在构造上，采用琵琶襟，如意襟，低襟，高领，低领，无领等，同时又把绘画等姊妹艺术也作为旗袍装饰的手段，那些画有花，鸟，京剧脸谱等图案的旗袍，不仅设计新巧，而且风格典雅，富有韵味，把服装和绘画融为一体，打破了原来穿着不够舒服的构造，使之一展新容，成为国际服装舞台上的奇葩。

With further understanding and recognition in art, her painting style was changed continuously, especially breakthrough on artistic method and expressive forms. In 2005, Marta left Spain for Shanghai and was attracted by the purity of the Chinese traditional culture and traditional building materials. On the basis of the original artistic language, she was trying to integrate the Western and Chinese drawing language in terms of the expressive form. Generally, She planned models after modeling language of Western oil painting. Then, she pasted or collaged the traditional materials such as pearl, silk and knitting cloth on the drawing board.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

Her painting style developed and broke through in the manners and forms of expression when she recognized and understand art step by step. Marta was attracted by the traditional culture and the pure of the art material in China when she came to Shanghai from Spain in 2005. She attempted to establish contact of painting between China and the West on the form of expression. She always uses oil painting first then adds the Chinese traditional material such as pearl, silk, and knit goods together.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

Looking at Chang Chih-Cheng's painting career, one often questions whether he should be classified as a realist simply because his creations come from his interpretation of real visual sensations, especially his recent portraits which are based on printed pictorials or photographs of his friends.

考察张志成的绘画历程，常常会有这样的困惑：尽管他的创作是来自对真实视觉感受的诠释，特别是他近来的人物形象绘画，都是取材于现实生活里到处充斥的印刷品图像或者身边的朋友影像，他就应该算是一个现实主义者吗？

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。