绘画的

The discussion of this issue is barely involved with how the spirit of Utopia and individual value that exist naturally in the Western abstractionism have decayed and weakened while it is developed in China style. Instead, it concerns the gains and losses of 'nationalizing' the oil paintings, safeguarding cautiously the inherent spirit of the modern tradition, which, together with non-painting avant-garde art and figurative paintings, constitutes the three-pillar fine art forms.

这个问题值得讨论之处，已不再是西方抽象主义原本具有的乌托邦精神和个人价值，应如何在迁就地"国化"的过程中衰减和削弱，而是应联系到油画"国化"的得失，警惕地守护这个据说与非绘画性前卫艺术、具像绘画等鼎足而三的现代传统的内在精神。

Kandinsky, the founder of the abstractionist art once claimed more thoroughly that "Color is the form and the theme". Though it is somewhat biased, he is the forerunner of introducing the musical rhythm and melody into abstract symbolic language by point, line and plane in colors.

抽象绘画鼻祖康定斯基更彻底地宣言"色彩就是形状和题材"，尽管有其偏执的一面，但他在用色彩的点线面完成的把音乐节奏、旋律感觉带入抽象化符号语言的探索，开创了抽象绘画艺术的先河。

Among the objects as the principle of geometric perspective and aerial perspective, and make it conveying deep stereo spatial feeling on planar painting.

在绘画中，依照几何透视和空气透视的原理，描绘出物体之间的远近、层次、穿插等关系，使之在平面的绘画上传达出有深度的立体的空间感觉。

With the rapid development of the technology of oil painting,decorative elements have been used to creative painting.decorative painting is a kind of imaginative and spirit stylized beauty which is programmed. it is the most characteristic and emblematical art form of expression.

随着油画技术的不断革新，装饰元素不断的被运用到绘画创作中去，装饰性绘画是一种富有想象和意境风格化的美，带有程式化的美，是最具特色、最典型的艺术表式现形。

The essay particularly analyses the expressive character of the immature beauty of the original and children painting, and separately analyses the concrete expression of the immature beauty on the basis of the form, color and the picture, and deeply discuss the painting form of the immature beauty which "emotionalize the reality, and subjective the object."

分别在对造型、色彩、构图等绘画形式因素上分析稚拙美特征的具体表现，以深入探讨"把现实的东西情感化，把客观的事物主观化。"的稚拙美的绘画形式。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

He set forth his viewpoint on how to reform the traditional painting in lots of poems, postscripts and letters, thus formed explicit and integrate creative theory called " Endow Old With New"of painting.

他在大量的诗文、题跋和信札中阐述了在创作方面对传统绘画进行革新的思想，形成了比较明晰和完整的&与古为新&的绘画创作理论。

Through the analysis of Willem de Kooning's works, identifying the source creation within them. The discussions...

通过对威廉·德·库宁绘画作品的分析来找到他艺术创作之源，论述他的绘画不仅仅是一种精神上的主观表现，而是在创作过程中对某种原形的视觉探索。

John Woodbridge, director of the San Francisco-based university's School of Computer Arts-New Media, says traditional art skills are important but students aspiring to become commercial artists must be conversant with software because employers say they want artists and "production people" capable of working with an increasing number of programs.

单单责怪Adobe Photoshop或是学生的懒惰也许把事情过于简单化了，其实问题可以简单地归结为画家能力的缺失。艺术大学绘画学院总监Charles Pyle坦率地对路透社说：&如果你不好好绘画，好好思考，那你的艺术生涯将是短暂且不愉快的。&

Through the building-up of chagall art experience and the time background, and at the same time with the artists such as tall, Dali, spindle etc, prove chagall in painting.

通过浅析夏加尔的绘画创作经历及其所处时代背景，并与同时期的艺术家如高更、达利、罗梭等的比较，证明夏加尔在绘画方面的独特性。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。