绘画的

His paintings possess both the characteristics of western paintings and also the impressionistic style of Chinese paintings.

他的画既有西方绘画的特征，又极具中国画的写意。

Lin Fengmian, an inaugurator of Chinese modern brush art, was one of innovative thoughts of art educators. He also was one of art theoreticians full of foresights and famous for his art accomplishments overseas.

林风眠是中国现代绘画的开创者，又是富有革新思想的美术教育家，还是一位有着远见卓识的美术理论家，其艺术造诣蜚声中外。

George Inness' rending of distance and atmosphere raised his art above the ordinarily realism of nineteenth-century American landscape painting.

参考译文：George Inness对距离空间的处理使得他的艺术成就高于19世纪美国疆域绘画的一般的显示主义。

I think paintings of historic events in that period somehow reflect Uprising Army regime's attempt to transform Dunhuang into an independent Buddhist country like Khotan.

笔者认为此时期史迹绘画的表现，某种程度反应着归义军政权想把敦煌建立如于阗国一样，成为一个独立的佛教国家的企图。

Although Lange could not see the "art" in her pictures, her work has many of the same features as a painting.

虽然兰格无法看见她照片所呈现出来的「艺术」，但她的作品包含了绘画的许多特点。

Although Lange could not see the artin her pictures, her work has many of the same features as a painting.

虽然兰格无法看见她照片所呈现出来的「艺术」，但她的作品包含了绘画的许多特点。

As a Chinese cultural heritage, this was the essential idea of traditional painting, especially in literati painting.

这是在中华文化的历史传承中，国画尤其是文人绘画的一种典型的存在型态。

In the early period of creating, she was effected strongly by the artists of modern art such as Pablo Picasso(1881～1973) and J.

在艺术创作的早期，她深受现代艺术绘画的影响，尤其是毕加索、米罗等艺术家的影响。

Lacking surplus money for paintbrushes, pigments and papers, he picked up what other students discarded.

没有多余的钱买绘画的画笔、颜料、纸张，就捡学生丢弃的。

It is after the beauty of life,plainness, nature and harmony on the basis of landscape connotation.

其实两者无论在绘画的审美观念上，创作的技法上，还是人们的审美习惯上，都不尽相同。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。