绘画的

Therefore, I would keep producing the thing called "painting" by those people who were living in the ordered space-time, barbarously and a little like rubbish.

所以我将继续制作着这这些既粗暴又有点像垃圾的而生活在有序时空里的人将它称为"绘画"的东西。

On one hand, this resulted in the display of blankness and transcendence in both the rendering of picturesque scenery and the tool of plastic treatment.

这种境界和品格一方面表现在画面和造型的处理上，另一方面更重要的是，表现在中国绘画的"线条"上。

This is your opportunity to obtain a sensible booklet drawing all the facts together.

这是你的机会，以获取合理的小册子绘画的全部事实。

The camera lucida performs an optical superimposition of the subject being viewed and the surface on which the artist is drawing.

投影描绘器施行了看到的物体和艺术家进行绘画的表面的一种光学叠印。

Unifying my confusion in the sketch practice, this article is for the purpose of studying the character of modern and contempt sketch practice, hoping that it has the practical significance to the sketch teaching.

结全自己写生实践中的困惑，本文旨在研究现当代写生绘画的特点，希望对当下的写生教学有实际意义。

The third is for western style painting, through techniques of sketch, color, chiaroscuro, etc., to show the local traditions and customs.

三类是西画坊。主要采用西方绘画的素描、色彩、光影明暗的技法作画，来表现磁器口古镇的风土人情，也别有一翻风味，很受游人喜欢。

As First Lord of the Admiralty in 1915, he had been deeply involved in a campaign in the Dardanelles that could have shortened the course of a bloody world war .

我的父亲温斯顿·丘吉尔是在40几岁开始迷恋上绘画的，当时他正身处逆境。1915年，作为海军大臣，他深深地卷入了达达尼尔海峡的一场战役。

And the development of painting in the western world received great momentum from the study of linear perspective and Euclidean optics.

而西方绘画的发展，也受到达芬奇时代透视法和光学的研究的推动。

There seems little doubt that, although the headpiece and other accessories cf.

发现该绘画的时候，尽管作为一个完整的幡所需的幡头及其他附属物等（参见图28）已经遗失。

The free will and the heaviness of the life are the central theme of her works.

人的自由意志与生命的沉重感构成了张春迎绘画的核心主题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。