绘画的

Is no pure abstract painting in Chinese history.

中国的文字、书法和绘画的历史，早就证明中国人很早就具有抽象事物表象的能力。

By the inspiration of Jackson Pollock's "action painting", human body could act as a paintbrush to drive the paintings by his/her body motion.

美国著名画家Jackson Pollock激发了"动作绘画"的意念，以人体作为画笔，不仅为油彩艺术带出一种新的审美视野，还可有引发交错学科研究的潜在可行性。

The second part is the key point, it promulgate deeply that emphasizing one's"feeling"is character of sketch paining, from introducing and anglicizing the generation of several sketch painters'(Paulo·Cezanne, Alber holds·Jia Kemei the peduncle, Lu Xi'an·Floyd, a Avey gram·Arica) work, viewpoint, scheme, promulgates deeply that is the character of sketch painting by emphasizing one's"feeling".

第二部分是本文的重点，从介绍分析现当代几位写生画家(保罗·塞尚、艾伯托·贾科梅蒂、鲁西安·弗洛伊德、阿维克多·阿里卡)作品、观点、图式入手，深层揭示个人"感觉"的强调是现下写生绘画的特点。

She said the attractive dreamland was her original force driving her to learn painting. She'd like to objectify her dream, retained them and made them eternal.

她说她学习绘画的原动力来源于深深吸引她的幻境，她想物化她的梦，留住它们，并使它们成为永恒。

"Part of the viewers' full experience of a great painting is to allow the arrangement of lines, shapes, and accent s of tone or colour to guide him across the pictured surface at controlled tempos and rhythmic directions."

观众面对一幅著名绘画的全部过程中，部分是让线条，形态，色调和色彩特征以一种被控制的速度和节律感引导自己感受整个画面。

This African elephant named Five developed her painting talent by chance.

这只名叫Five的非洲大象很偶然后被发现有绘画的天赋。

Now ask both illustrators to change the overall color of a large part of the illustration or to change the design of the illustration.

现在让两位绘图师改变图画大部分区域的颜色或者改变绘画的设计。

Through decomposition, fraction and collage recommences the creation, displays another kind of drawing fresh idea.

透过这种分解、局部、拼贴、联想重新构成作品的画面，试图表现出另一种绘画的新意。

VanGogh's painting Why create the world alone paintings at the highest?

凡高的画为什么开创了世界独幅绘画的最高售价？

Millais encountered various difficulties during the painting process.

米莱遇到的各种困难，在绘画的过程。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。