绘画的

We are the hasty passers-by in the eternal and transient time and space.

这些矛盾的呈现透射着绘画的主题，生死，存在消失，创造毁灭，永恒与匆匆而过。

But this kind of verity is different from the verity in reality .

但绘画的真实不同于现实的真实。

As a result,"ink and wash drawing" and "culture drawing" that were based on became the final home of Chinese painting.

从而使得以"笔墨"为宗的"水墨画"、"文人画"成为中国绘画的最终归宿。

Buddhism is an important part in the deep structure of traditional Chinese culture while watercolour painting stands for the representative art of traditional Chinese painting.

禅道思想是中华传统文化深层结构的重要内容，水墨画是中国传统绘画的代表性艺术。

Using a style known as anamorphic street painting, the artist is able to create convincing illusions

使用称为变形街绘画的手法，艺术家能够创造令人信服的视觉假象

As a pioneer who have reformed the Chinese painting, He compared the artistical history at all time in all over the world .

林风眠作为中国画改革的探索者，他选择以西方为参照，即立足于传统，又立足于民族绘画的自律发展。

It is important to study and value it historically and dialectically to promote the development of China painting and arts science in the new century.

历史地辨证地对待和评价文人画艺术对于推动新世纪中国绘画的发展和艺术学的研究具有重要意义。

Instead of following the current trendy styles discriminately, they are always ready to challenge and question them.

他们不大理会身边的风向潮流使他们刚好成为一种独属于绘画的&井底之蛙&，。。。。。

SKA Student Serena Ho (10) was chosen as one of the twelve winners form the 2009 Annual Drippy Dropperson Coloring Book Contest, from a pool of 300 submissions.

在一年前， Serena 或许因为功课的繁忙，不但逐渐失去了对于绘画的喜爱，更对其感到厌烦。

The article analyses the cultural character and feature of the paining us

本文就民俗题材绘画的文化性质及其特点进行分析，并对其现实意义表述作者的看法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。