绘画大师

Through the comparison of the painting and art theory between the master of Liu Haisu and Lin Fengmian, the author analysis their aesthetic conception and illustrate the similitude and dissimilitude of the two art masters.

本文对刘海粟和林风眠两位艺术大师的绘画及艺术理论进行了比较研究，并对他们的艺术思想进行了探讨，从中找出两位艺术大师相近和相异之处。

However, essays such as "Peace and Love Picasso" by Dakin Hart, which was published in a recent Gagosian Gallery catalogue, argue that the musketeer paintings were not only in dialogue with old masters such as Rembrandt and Velasquez, but with the youth of their time.

然而，近期发表在 Gagosian 画廊目录中的评论，比如 Dakin Hart 所写的《和平与热爱毕加索》，提出主题为士兵的画并不仅仅是与 Rembrandt 和 Velasquez 这样的早期绘画大师之间的精神交流，也是与那个时代的青年人的交流。

Lloyd Webber has a theory that Picasso's Blue Period paintings were influenced by Burne-Jones, the British Pre-Raphaelite master whose international reputation stood high at the turn of the century.

劳埃德·韦伯提出一种学说，认为毕加索在蓝色期的作品曾受到英国拉斐尔前派绘画大师、本世纪初在国际上享有盛名的伯恩—琼斯的影响。

That same year he became Art Director at NCsoft Santa Monica, where he worked on creatures and environments for games such as Tabula Rasa and Aion.

J。 P。 Targete非常热爱科幻和幻想题材的美术作品，对于早期的绘画大师有深入了解。

He is a master of paining.

他是个绘画大师。

First, this paper summarizes and neatens the inheriting, representation and using for light and colors in the western painting, which the content of painting, colors and sculpt character develops and evolves.

其次，本文着重对不同历史阶段的绘画大师在运用光线与色彩上进行详细的叙述与分析。

In this paper, the study of the painting of graffiti from childhood to the children gradually began to understand the world the symbol of the painting, then later some arts masters continue to learn as children, like paint this interesting process, trying to reveal many artists In paintings in a Fanpuguizhen want to pursue the real.

本文浅析了绘画学习中从儿童时期的涂鸦到孩子们开始逐渐认识世界出现的符号化绘画，再到后来一些艺术大师们不断学习像孩子们一样画画这一有趣的过程，试图揭示许多艺术家在绘画作品中想要追求一种返璞归真的真实。

With a good eye for art, he had begun early to assemble his own collection, which by now included works by the contemporary Italian painter Canaletto, as well as watercolors and drawings by such old masters as Poussin and Raphael.

由于对艺术有着敏锐的眼光，他很早变开始进行私人收藏，当时他的藏品便已囊括同时期意大利画家卡纳莱托的作品，以及如普桑、拉斐尔这样的早期绘画大师的水彩或油画作品。

With a good eye for art, he had begu n early to assemble his own collection, which by now included works by the con temporary Italian painter Canaletto, as well as watercolors and drawings by su ch old masters as Poussin and Raphael.

由于对艺术有着敏锐的眼光，他很早变开始进行私人收藏，当时他的藏品便已囊括同时期意大利画家卡纳莱托的作品，以及如普桑、拉斐尔这样的早期绘画大师的水彩或油画作品。

This time it is three exhibitions in one, courtesy of the last Old Master.

这一次它将三次展览合为一体，向最后的绘画大师深深的致敬。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。