绘画

When he initially attempts to seek such pictorial language and effect, he draws Hydrosphere Series .

在最早尝试着寻求自己这种需要的绘画语言及效果时，他画了《水气》系列四件作品。

In the case of a museum, where expensive paintings, sculptures and other hygroscopic materials are kept, rapid changes in Relative Humidity can be devastating and will eventually destroy the wooden artifacts in short order.

在博物馆的，因为昂贵的绘画，雕塑和其他吸湿材料保存在相对湿度急剧变化可能是毁灭性的破坏，最终将在短期内的木质文物的情况。

This, in turn, made different iconographic demands on painting.

这就依次让肖像绘画有了不一样的需求。

This paper makes some explanations on New Classicism Painting in France with pictures and historical materials, and knowledge of iconology, sociology and psychology is adopted in this work.

本文用图史互证的方法，结合图像学、社会学、心理学知识就法国新古典主义的部分绘画进行新的解读。

Factually, what Gombrich was interested in is to describe how a painter turns a 3D object to a 2D painting with the 3D illusion by means of his or her eyes, with the support from various theories of modern psychology, sociology and philosophy (e.g., the visual prevision theory of Gibson, falsificationism of Popper, iconology of Erwin Panofsky, etc.), after the research on a great number of works, artists and related classics and literature.

其实，贡布里希的兴趣是在各种现代心理学、社会学与哲学的支持下(吉布森的视觉预知理论、波普尔的证伪主义、潘诺夫斯基的图像学等等)，通过对大量作品、艺术家与相关的经典和文献的研究来仔细描述人是如何用自己的眼睛这个器官，把一件处在三维当中的物体转变成二维上的平面绘画的，而这平面上的二维又具有三维空间的错觉感。

This thesis will expound this central subject under discussion by the following aspects: The first part of this thesis fully taps the characters of image that shows different schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

This thesis will expound this central subject under discussion by the following aspects:The first part of this thesis fully taps the characters of image that showsdifferent schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

Ideogram: A form of picture writing in which a symbol may represent the object drawn or the ideas or meanings associated with it.

表意文字：图画文字的一种。绘画象形符号，表达物品；并表达由它所引起的联想意念或概念。

We all have our own idiosyncratic gestures; Michelangelo's highly idiosyncratic style of painting.

我们都有自己特殊的手势；米开朗基罗极为特殊的绘画风格。

Mary Sherman is fascinated with the physicality of paint – as opposed to its illusionary qualities.

Mary Sherman 对於平面绘画上堆叠的物理性与其产生的幻觉能力感到著迷。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。