绘画

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远而巨大的影响。

We can relate to the intense self-restriction Luo Quanmu imposes on his painting, a kind of self-satisfied, inherent trait. It is like a pum, which having sucked a spring dry, moves on to the waters of its own imagination, pouring these atop the canvas.

我们可以体验到他绘画的那种强烈的自我限定，一种自足的、内在循环的特性，这就像一座水泵抽空了现实的水源，而将自身想象力的水流缓慢地灌注到绘画空间之中。

The modernity and futurity of painting actually lies in criticism of the current visual arts and the self-evolution of its concepts.

绘画能获得当代性和未来性，其绝地求生之道也许就在于对既有人文视觉批判之中、就在于绘画观念自身的蜕变和演进之中。

However, viewing Schnabel's works from a museum's perspective, we will pay more attention to the originality and freshness he contributed to the practice of painting. As said in some reviews, although a bit exaggerated,"he saved American painting, that was caught up in a 1970s recession, almost entirely by himself."

可要是从美术馆的角度来看施纳贝尔的创作，我们则更为关注他在绘画方面的实践给这个领域带来的新鲜空气与强烈的刺激，就像有些评论略显夸张地称道的那样，&他几乎单枪匹马地把绘画从美国70年代的萎靡不振中拯救了出来。&

Painting carries out a static expression through describing objects and things in perceptual space. A kind of definite perceptual space gives up its dynamic state and converts a static state, starting to use a scene chosen by a painter in painstaking to do painting activity. That makes the eternal movement world in static, in the static state it lets people unfold infinite thinking space to understand and comprehend the worldly kaleidoscope.

绘画就是通过感性空间中所描绘的物体和事物来进行静止的表述，一种确定的感性空间，放弃了它的运动状态而转入静止，开始用一个画家苦心孤诣地做出了选择的场面来进行着绘画的活动，以至使本来永恒地运动着的世界静止了，这种静止的状态中，让人们去展开无限的思维空间，去理解和感悟这人间百态。

With the modernization trend of the Chinese art circle, there has appeared "rock painting", a new form of painting, which, superficially speaking, may result from the revolution of materials and renovation of techniques.

中国画坛在由传统走向现代的大趋势下，出现了&岩彩画&这一新的绘画样式。从表面上看，岩彩画的出现，是由于绘画材料的变革和相应技法的翻新。

Originating from ancient Chinese paintings, colored rock painting, boasting a history of a thousand years, once was a dominating category in China before the rise of Chinese ink-wash painting.

它起源于中国古代绘画，有着千年的历史，是在中国写意水墨兴起之前的中国主流绘画。

Through the deep research of Cangyuan rock painting , the article inquires into its source of the drawing space consciousness in ancient times in the positivism angle , Pointing out China's drawing has already spread out with the West in the manifestation and the creation idea in the ancient artistic stage,.

文章通过对沧源岩画的解读，从实证主义的角度探究了其所传达的中国古代绘画空间意识之源。指出在原始艺术阶段，中国的绘画就已经与西方在表现形式和创作观念上拉开了距离。

The earliest history of Chinese painting can be traced back to primitive Neolithic pottery decoration and rock paintings, original painting skills though naive, but has mastered the initial modeling ability of the animals, plants and other dynamic and static forms can also grasp the main features of note for the ancestors to express the belief, desire and for the life of the aesthetic.

中国绘画的历史最早可追溯到原始社会新石器时代的彩陶纹饰和岩画，原始绘画技巧虽幼稚，但已掌握了初步的造型能力，对动物、植物等动静形态亦能抓注主要特征，用以表达先民的信仰、愿望以及对于生活的美化装饰。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。