绘画

Vis-a-vis the modernist and postmodernist dogmas in regard to painting, Marden let the world in again by bringing together different pictorial cultures into the indisputable space of the picture plane.

相对於现代主义与后现代主义对绘画的教条，马登将不同的绘画文化放在不容质疑的画面空间，将世界的内容再度引进艺术的范畴。

We can regard this experiment with the language of painting as the initial modernist approach in Chinese painting.

我们可以将这种绘画语言试验，视做是早期的中国绘画现代性之路。

Her full name is Alizée Jacotey, born in Corsica Island in southern Fance. She has learnt dancing, drawing, singing and acting since she was a child, which shows her inborn talent for performance extremely. When she was 11 years old, she won a cup for drawing contest. Her work was even used to paint as a design on the plane, which named Alizée. In 2000, she appeared on the TV talent show "Graine de Star"(isn't it in 1999?). She immediately caught up the eyes of French fisrt singer Mylène Farmer and her producer Laurent Boutonnat. They made a contract and release single "Moi... Lolita", sold over 1,500,000 in France, on the top song of Italy, Spain and Poland and also UK top 9. In her first album Gourmandises, she protrayed a teenager with sweetness and melancholy. Soon after its release in 3 weeks, it broke the record of French Platium and she blew all over the world with 4,000,000 sold out.

全名Alizee Jacotey的艾莉婕，出生於法国南部的柯西嘉岛，自幼学习舞蹈、绘画、唱歌以及演戏，发挥与生俱来的表演细胞。11岁赢得绘画比赛奖杯，她的作品更成为飞机机身主图，并且命名为「Alizee」。2000年参加新秀选拔赛，吸引在场法国首席女歌手Mylene Farmer及其制作人Laurent Boutonnat的目光，顺势签下一纸合约后推出单曲"Moi Lolita"，法国冲出150万张销量，夺下义大利、西班牙、波兰等国冠军，英国金榜Top9，首张专辑《Gourmandises》细腻描述花样少女的甜蜜与哀愁，发行三周即破法国白金唱片纪录，全球捷报频传的总累积四百万张佳绩。

Newcome did not seem seriously to believe that his son would live by painting pictures, but considered Clive as a young prince who chose to amuse himself with painting

钮可谟似乎并不深信他儿子可以靠绘画谋生，他把克莱武只看作一位青年王子，只不过兴之所至，拿绘画娱乐罢了。

Some of these paintings have been overlaid with later paintings and graffiti.

这些绘画中的一些已经被后来的绘画和粗糙雕刻所覆盖。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说，不存在这样一种状态，画家为了画出自己的感觉，他们应该"纯洁"地不带"偏见"地去向自然学习，去面对物体直截了当地写生，而为了获得这种能力，在学习绘画的初始阶段，就必须训练学生们用自己的眼睛(在绘画课室里，老师总是质问学生，你的眼睛在哪里，你的感觉在哪里)去观察对象，然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆"，或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面，以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

Till the boom of Modern Art, the characteristics of painting itself, planarity, has been brought back, which topple down the space consciousness of the traditional painting.

现代艺术的兴起使绘画重新回归了自身的特点，就是它的平面性，这对传统绘画的空间意识是一个颠覆。

Some work directly connects to traditional Chinese art. The relationship between the portrayer of the object and the objected being portrayed is fundamentally altered. Therefore, multiple visual layers emerge. By creating a self-content painting world, this type of work reinterprets the literati paintings in the Ming and Qing Dynasties. While addressing ontological issues for painting, the work implies the elegant literati taste the artist is born with. Some works emphasize the interaction between space and traditional art materials, mechanically carrying out a repetition of a traditional scene.

参加"诗意现实：对江南的再解读"展览的近三十位艺术家的作品，我以为，也许大体可以把它们分为下面几种类型：有的直接与中国的艺术精神相续，在媒介和再现对象之间进行图像"转译"，并形成多重的视觉套层，从而建立起一个自足的绘画世界，来实现对明清文人画的重新审看和临写，在对绘画的本体问题进行实验的同时，传达自己与身俱来的优雅的文人意趣。

As far as the older generation business card printing and membership card making territories Korean, in China, many engaged in after the liberation of color seihan have hard-working hard in my spare time to study painting, drawing, Professor of the Academy of fine arts, often to the factory to prelection and counselling painting, leading tours of various art exhibition, does make it was good for everyone in the workplace.

据老一辈制卡和会员卡制息界不小师引见，在敌国缚束不末期，许众从事不黑不黑制版的职员，都在业缺工夫怠懈吃苦不天教习绘画、素描，不纬常请洋央丑术教院的传授到工场来授课和教导绘画，带领布局观光各栽丑术展览，不实使不小家在处事洋施益匪浅。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。